Happy Almost 2018, y’all! This post is coming to ya from Nashville where I’ll be celebrating New Year’s Eve! Be sure to grab your popcorn, hot cocoa, or whiskey (no judgement), and get ready for a long post! Enjoy!
The Good, The Bad, and the 2017
It’s no secret that 2017 sucked in a lot of ways- Donald Trump was inaugurated and allowed to make decisions that affect our lives, we lost Tom Petty, Don Williams, and Troy Gentry, Donald J. Trump became president, hurricanes devastated Puerto Rico and American cities like Houston, and Donald Trump moved into the White House. BUUTTTTT, this year hasn’t been all bad, especially since this is the year that I really found myself, musically speaking.
When I think about my taste in music and (lack of) country music knowledge at the beginning of 2017 compared to the end of 2017, it’s like comparing night and day. In the latter half of this year, I really found my musical niche and refined my musical interests. I have this blog to thank for that. Had I not started writing this blog back in June, I’m not sure that I would’ve ever found some of my now favorite artists. I also never knew that I was a fan of Americana music and find myself identifying with the music from this genre more than any other these days. When I finally learned about Americana and all of the artists that are a part of the Americana family, everything clicked into place- this was the musical home I had been searching for. This is where I belonged.
While some bloggers have been making their top albums/songs lists for 2017, I didn’t want to do that. Since so much of the music I found this year has been around for a while, only focusing on the stuff from 2017 would be silly. Instead, I’m gonna focus on all of the great artists who came into my life this year.
Have you ever met someone and felt like you’ve known them your entire life? You wonder how you two went so long without meeting and now that you’ve met, you know you’ll be friends for life. Well that’s how I feel about some of the musical artists I discovered this year. I think about how much better my life would’ve been with their songs to guide me through years ago. But instead of dwelling on the past and missed years, I’ll vow to keep playing their music for the rest of my life. This includes artists like Margo Price. She has been one of my greatest finds of 2017. I’ll do an essay on her later (inspired by the book Woman Walk the Line: How the Women in Country Music Changed Our Lives), where I’ll dive deeper into how much of an inspiration she has been to me. Just as I had fallen in love with her first album, Midwest Farmer’s Daughter, she released her sophomore album, All American Made in October of this year. What I love about Margo, and her most recent album in particular, is that she sings about political issues like the pay gap and the Iran-Contra Scandal (throwback to the Reagan years!). She’s outspoken about her political views and doesn’t care about losing fans because of it. The world could use more Margos and country music needs more Margos!
Even though I already knew Sturgill Simpson before this year, I didn’t really know him. One day I felt compelled to listen to A Sailor’s Guide to Earth. The rest was history. In just six short months, I managed to fall in love with and immerse myself in Sturgill’s music, see him in concert, and purchase all of his albums on vinyl. In fact, he was my top played artist of 2017, according to Spotify. If you’ve talked to me at all these past few months, I’ve probably manged to name drop him at least once. Hopefully you all were listening to me and then decided to check out “The Sturge” for yourself! What I love about him is that he makes a record when he has something to say, not just to stay relevant. He wants to make records that people will still be playing 30 years from now. You don’t make records that stand the test of time by putting out album after album with nothing of substance on them. And if I have to wait ten years for another Sturgill Simpson record, I’m happy to do it. It’ll probably be the best damn album of all time!
“I’m just trying to constantly improve and become a better artist and then hopefully make records that people—I mean it’s great if they buy them today—but I’m more interested in making records that maybe people will still talk about in 30 years. That’s the goal for me. You can go crazy if you let yourself think, “How do I remain relevant?” or you can just go and try to make great music and the fans will react to it and it takes care of itself.”
-“The Final Interview with Sturgill Simspon, According to Sturgill Simpson,” Noisey, November 30, 2017
I don’t remember what the first Jason Isbell song was that I listened to (maybe “Elephant?” or “Speed Trap Town?”) but I’m eternally grateful that the universe pointed me in his direction and had me press play. In a “Walking the Floor with Chris Shiflett” podcast interview with Jason, Chris brought up the fact that Jason is considered by some to be the “go to reference guy for songwriters in Nashville.” Just listen to one of his songs and it’s easy to see why. Though I’m glad it’s a part of my life now, I think about how useful a song like “Traveling Alone” could have been to me years ago. While Jason’s songs may not have had the opportunity to have been part of my past, they’re very much a part of my present, and I’m already making plans for them to be a part of my future. IF (please note this is both in bold and italics) I ever get married, I already know that “If We Were Vampires” will be on the playlist.
Something that the three artists mentioned above have in common is their politics. If you follow Margo Price and Jason Isbell on Twitter, you know how they feel about current events. And just last month, Sturgill Simpson decided to busk (verb; meaning to play music or otherwise perform for voluntary donations in the street or in subways) outside of the CMA Awards and talked crap about Donald Trump.
Another artist that I discovered this year is Cody Jinks. According to Spotify’s calculations, Cody’s song “Loud and Heavy” was my most played song this year (Sturgill’s “Sea Stories” was second). Unlike the artists mentioned above, Cody Jinks is less Americana and more what you would consider to be actual country. To me, he’s what real country music should sound like. Instead of calling country that ventures from the mainstream terms like “alt-country,” I think we should be calling the mainstream stuff a different name. After all, they’re the ones who have done more to change the music from its original sound, not guys like Cody Jinks who have a more authentic country sound. Some people might call Cody “Texas county” or “Red Dirt” country. While “Loud and Heavy” may have been my most played song this past year, it was “Somewhere in the Middle” and its simple message that being “somewhere in the middle is just fine” that resonated most with me. And if Cody finds himself somewhere in the middle of Texas “Red Dirt” country and alt-country, well, that’s just fine!
“John Prine is pretty good!” At least that’s what one of the stickers I purchased at this concert back in November says. But if you ask me, I think John Prine is really good! If writing songs is a craft like woodworking then John makes songs like the best cedar chest you’ve ever laid your eyes on. When I listen to his songs, I’m always impressed at how clever he is. In fact, one of my favorite lyrics of any song ever comes from a John Prine song. The song is “Spanish Pipedream” and the line is “I knew that topless lady had something up her sleeve.” I’ll say that line is pretty good!
While the five artists featured above really won me over this year, there were plenty more that also found their way into my heart. This year’s honorable mentions (who are not all country, not all Americana, but all pretty dang good) include: Dan Auerbach, Kurt Vile and Courtney Barnett (wait! Am I also now a fan of Indie music? Who am I even?), Lori McKenna, Tyler Childers, Ray Wylie Hubbard, Lukas Nelson & Promise of the Real, Ashley Monroe, Angaleena Presley, Nikki Lane, Aaron Lee Tasjan, Sam Outlaw, Nathaniel Rateliff & The Night Sweats, and Paul Cauthen.
A New Appreciation for the Old Stuff
It wasn’t just finding new artists that made this past year so exciting but it was also rediscovering artists from my past, learning more about country music legends, and gaining a deeper appreciation for the trailblazers who made all of this possible. One of those people is Jerry Reed. The man is a national treasure we should all be thankful that Jerry Reed songs exist. His songs are a surefire way to put a smile on my face. The Oak Ridge Boys are another example of feel good country music that I got into this year. And don’t forget Bobby Bare too! 2017 is also the year that I fell in love with Emmylou Harris. Her Pieces of the Sky album is the first brand new (not used from a record store) record I ever bought, which also took happened this year. Fun fact about this lady is that she was discovered in DC by Gram Parsons- at Clyde’s in Georgetown.
This year also saw my love of Waylon Jennings grow deeper as I explored more of his music. Some other classic artists that I spent time getting to know better this year include Merle Haggard, Willie Nelson, and Dolly Parton.
I’ve always loved her but this year I seemed to love Kacey Musgraves even more! Maybe it was because I realized how little credit she gets. She sings backup vocals for some of the bigger stars (Zac Brown Band’s “All the Best” and Dierks Bentley’s “Bourbon in Kentucky“) and does duets (Josh Abbot Band’s “Oh Tonight“), which is fine, but I really wish she got more credit for her solo stuff. To celebrate her, I’ve created a “A Very Kacey Playlist” on Spotify for her. She also has an album coming out early next year, Golden Hour, which I am stoked for! My appreciation and respect for Miranda Lambert also grew this year, which can be credited to her album The Weight of These Wings from 2016. There’s also been talk about a new Pistol Annies album, which can’t get here fast enough!
A Year of Concerts
This year my list of concerts attended grew substantially. Some of these concerts were for artists whose names I didn’t even know at the start of this year. People (who I’m embarrassed to say I didn’t know sooner) like Ray Wylie Hubbard, John Prine, Lukas Nelson & Promise of the Real, and Nikki Lane. I even attended my first all-day music festival in Camden, NJ this year when I drove up for the Outlaw Music Festival. It was there that I got to see Willie Nelson for the first time and Eric Church for the seventh time. Other concerts that I attended this year included Sturgill Simpson, two different nights on Eric Church’s “Holdin’ My Own” tour (Pittsburgh and Washington, DC), and Mashrou’ Leila (a Lebanese band that has nothing to do with the rest of this post but they’re amazing and I love them!)
One really cool thing that happened to me this year was that I won free front row seats to a John Prine and Dan Auerbach concert at DAR Constitution Hall in Washington, DC. I remember entering the contest for the tickets but I never win anything so I didn’t hold my breath on getting them. Funny thing is that the week leading up to the show I almost bit the bullet and bought a ticket for a nosebleed seat just so I could go. Well, good thing I didn’t, because a couple of days before the show, I got a call letting me know that I had won two tickets for front row seats along with a $50 merchandise voucher. Thanks to that voucher I am now the proud owner of a John Prine poster (painted to look like Ben’s Chili Bowl- a DC landmark) and The Missing Years on vinyl. I didn’t really know Dan Auberbach before that, aside from the fact that he is one half of The Black Keys, but after hearing him perform his solo stuff live, I became a fan. And how was that concert, you ask? “Pretty good, not bad, I can’t complain!”
And since we’re on the topic of cool concert experiences this year, I just want to mention that at Ray Wylie Hubbard‘s concert at Hill Country BBQ in DC this past August, he mentioned the name of this blog while on stage. Now that’s pretty damn cool!
Keeping Up and Catching Up
There are some people out there that listen to every new album that comes out in its entirety and can break down each track while talking about the album as a whole. Many of those people get paid to do just that. I, however, do not. Also, that’s not me. I feel like there’s always new music coming out so I’d just stress myself out trying to do that. It also takes a while for me to really get into songs sometimes. So if it’s two months after an album has come out before I really listen to it, so be it. I’m happy being late to some parties.
With that being said, I do try and listen to some of the new stuff as it comes out when I can. Some great stuff that’s just come out is Neil Young and Promise of the Real‘s The Visitor. This album combines Lukas Nelson’s band Promise of the Real with the iconic Neil Young. The 2016 presidential election is a theme that you can hear on this album in songs like “Already Great.” Why are people trying to make America great again when, as Neil Young says, it’s already great? If I were gonna go back and rewrite my post on liberal country music, this song would definitely be on that list.
Lots of other albums came out this year that I haven’t spent as much time with as I should have- Travis Meadows‘s First Cigarette is one of them. Though I will say that “Long Live Cool” is in fact a cool song. I’ll always have a soft spot in my heart for this guy because he’s the incredibly talented songwriter behind one of my all-time favorite songs- Dierks Bentley’s “Riser.” (He’s also mentioned twice in my post about Eric Church’s songwriting, “Eric Church: An Outsider, A Songwriter,” since he was a co-writer on both “Dark Side” and “Knives of New Orleans.”)
I also liked Chris Stapleton’s “From a Room: Volume 1” but admittedly haven’t given “From a Room: Volume 2” as much attention as it probably deserves. Sorry folks! The same goes for Lee Ann Womack‘s new album The Lonely, The Lonesome & The Gone, whose title track I love but I haven’t really ventured too far past that.
Some artists that I want to spend some more time getting to know better in the coming year are Rhiannon Giddens and Turnpike Troubadours.
Photographs and Memories
If I had to sum up 2017 in one picture, it would be this one:
I also just wanted an excuse to post this picture!
Looking Ahead to 2018
It’s hard to say what 2018 will hold. Only time will tell what other great artists I’ll find in the coming year. Perhaps I’ll be talking about a completely different genre of music in 365 days. Here’s to hoping that 2018 leads to many new discoveries- both musical and in general!
Here’s to also hoping that Eric Church releases some brand new music next year- that’s not asking for too much, is it?
You can find all of my favorite songs from the artists mentioned in this post on the beltwayboots Spotify account. My “Best of 2017” playlist can be found here.
Currently listening to: All of the great music that I discovered this year!