New Year, New Music, New Me

Happy Almost 2018, y’all! This post is coming to ya from Nashville where I’ll be celebrating New Year’s Eve!

Be sure to grab your popcorn, hot cocoa, or whiskey (no judgement), and get ready for a long post! Enjoy! 

The Good, The Bad, and the 2017

It’s no secret that 2017 sucked in a lot of ways- Donald Trump was inaugurated and allowed to make decisions that affect our lives, we lost Tom Petty, Don Williams, and Troy Gentry, Donald J. Trump became president, hurricanes devastated Puerto Rico and American cities like Houston, and Donald Trump moved into the White House. BUUTTTTT, this year hasn’t been all bad, especially since this is the year that I really found myself, musically speaking.

When I think about my taste in music and (lack of) knowledge of country music at the beginning of 2017 compared to the end of 2017, it’s like comparing night and day. In the latter half of this year, I really found my musical niche and refined my musical interests. I have this blog to thank for that. Had I not started writing this blog back in June, I’m not sure that I would’ve ever found some of my now favorite artists. I also never knew that I was a fan of Americana music and find myself identifying with the music from this genre more than any other these days. When I finally learned about Americana and all of the artists that are a part of the Americana family, everything clicked into place- this was the musical home I had been searching for. This is where I belonged.

2017 Finds 

While some bloggers have been making their top albums/songs lists for 2017, I didn’t want to do that. Since so much of the music I found this year has been around for a while, only focusing on the stuff from 2017 would be silly. Instead, I’m gonna focus on all of the great artists who came into my life this year.

Have you ever met someone and felt like you’ve known them your entire life? You wonder how you two went so long without meeting and now that you’ve met, you know you’ll be friends for life. Well that’s how I feel about some of the musical artists I discovered this year. I think about how much better my life would’ve been with their songs to guide me through years ago. But instead of dwelling on the past and missed years, I’ll vow to keep playing their music for the rest of my life. This includes artists like Margo Price. She has been one of my greatest finds of 2017. I’ll do an essay on her later (inspired by the book Woman Walk the Line: How the Women in Country Music Changed Our Lives), where I’ll dive deeper into how much of an inspiration she has been to me. Just as I had fallen in love with her first album, Midwest Farmer’s Daughter, she released her sophomore album, All American Made in October of this year. What I love about Margo, and her most recent album in particular, is that she sings about political issues like the pay gap and the Iran-Contra Scandal (throwback to the Reagan years!). She’s outspoken about her political views and doesn’t care about losing fans because of it. The world could use more Margos and country music needs more Margos!

Even though I already knew Sturgill Simpson before this year, I didn’t really know him. One day I felt compelled to listen to A Sailor’s Guide to Earth. The rest was history. In just six short months, I managed to fall in love with and immerse myself in Sturgill’s music, see him in concert, and purchase all of his albums on vinyl. In fact, he was my top played artist of 2017, according to Spotify. If you’ve talked to me at all these past few months, I’ve probably manged to name drop him at least once. Hopefully you all were listening to me and then decided to check out “The Sturge” for yourself! What I love about him is that he makes a record when he has something to say, not just to stay relevant. He wants to make records that people will still be playing 30 years from now. You don’t make records that stand the test of time by putting out album after album with nothing of substance on them. And if I have to wait ten years for another Sturgill Simpson record, I’m happy to do it. It’ll probably be the best damn album of all time!

“I’m just trying to constantly improve and become a better artist and then hopefully make records that people—I mean it’s great if they buy them today—but I’m more interested in making records that maybe people will still talk about in 30 years. That’s the goal for me. You can go crazy if you let yourself think, “How do I remain relevant?” or you can just go and try to make great music and the fans will react to it and it takes care of itself.”
-“The Final Interview with Sturgill Simspon, According to Sturgill Simpson,” Noisey, November 30, 2017

I don’t remember what the first Jason Isbell song was that I listened to (maybe “Elephant?” or “Speed Trap Town?”) but I’m eternally grateful that the universe pointed me in his direction and had me press play. In a “Walking the Floor with Chris Shiflett” podcast interview with Jason, Chris brought up the fact that Jason is considered by some to be the “go to reference guy for songwriters in Nashville.” Just listen to one of his songs and it’s easy to see why. Though I’m glad it’s a part of my life now, I think about how useful a song like “Traveling Alone” could have been to me years ago. While Jason’s songs may not have had the opportunity to have been part of my past, they’re very much a part of my present, and I’m already making plans for them to be a part of my future. IF (please note this is both in bold and italics) I ever get married, I already know that “If We Were Vampires” will be on the playlist.

Something that the three artists mentioned above have in common is their politics. If you follow Margo Price and Jason Isbell on Twitter, you know how they feel about current events. And just last month, Sturgill Simpson decided to busk (verb; meaning to play music or otherwise perform for voluntary donations in the street or in subways) outside of the CMA Awards and talked crap about Donald Trump.

Sturgill Simpson busking outside of the CMA Awards on November 7, 2017. All donations went to the ACLU. (Picture from Rolling Stone)

Another artist that I discovered this year is Cody Jinks. According to Spotify’s calculations, Cody’s song “Loud and Heavy” was my most played song this year (Sturgill’s “Sea Stories” was second). Unlike the artists mentioned above, Cody Jinks is less Americana and more actual country. To me, he’s what real country music should sound like. Instead of calling country that ventures from the mainstream terms like “alt-country,” I think we should be calling the mainstream stuff a different name. After all, they’re the ones who have done more to change the music from its original sound, not guys like Cody Jinks who have a more authentic country sound. Some people might call Cody’s Texas county or “Red Dirt” country. While “Loud and Heavy” may have been my most played song this past year, it was “Somewhere in the Middle” and its simple message that being “somewhere in the middle is just fine” that resonated most with me. And if Cody finds himself somewhere in the middle of Texas “Red Dirt” country and alt-country, well, that’s just fine!

John Prine is pretty good!” At least that’s what one of the stickers I purchased at this concert back in November says. But if you ask me, I think John Prine is really good! If writing songs is a craft like woodworking then John makes songs like the best cedar chest you’ve ever laid your eyes on. When I listen to his songs, I’m always impressed at how clever he is. In fact, one of my favorite lyrics of any song ever comes from a John Prine song. The song is “Spanish Pipedream” and the line is “I knew that topless lady had something up her sleeve.” I’ll say that line is pretty good!

While the five artists featured above really won me over this year, there were plenty more that also found their way into my heart. This year’s honorable mentions (who are not all country, not all Americana, but all pretty dang good) include: Dan Auerbach, Kurt Vile and Courtney Barnett (wait! Am I also now a fan of Indie music? Who am I even?), Lori McKenna, Tyler Childers, Ray Wylie Hubbard, Lukas Nelson & Promise of the Real, Ashley Monroe, Angaleena Presley, Nikki Lane, Aaron Lee TasjanSam Outlaw, Nathaniel Rateliff & The Night Sweats, and Paul Cauthen.

A New Appreciation for the Old Stuff

It wasn’t just finding new artists that made this past year so exciting but it was also rediscovering artists from my past, learning more about country music legends, and gaining a deeper appreciation for the trailblazers who made all of this possible. One of those people is Jerry Reed. The man is a national treasure we should all be thankful that Jerry Reed songs exist. His songs are a surefire way to put a smile on my face. The Oak Ridge Boys are another example of feel good country music that I got into this year. And don’t forget Bobby Bare too! 2017 is also the year that I fell in love with Emmylou Harris. Her Pieces of the Sky album is the first brand new (not used from a record store) record I ever bought, which also took place this year. Fun fact about this lady is that she was discovered in DC by Gram Parsons- at Clyde’s in Georgetown.

This year also saw my love of Waylon Jennings grow deeper as I explored more of his music. Some other classic artists that I spent time getting to know better this year include Merle Haggard, Willie Nelson, and Dolly Parton. 

I’ve always loved her but this year I seemed to love Kacey Musgraves even more! Maybe it was because I realized how little credit she gets. She sings backup vocals for some of the bigger stars (Zac Brown Band’s “All the Best” and Dierks Bentley’s “Bourbon in Kentucky“) and does duets (Josh Abbot Band’s “Oh Tonight“), which is fine, but I really wish she got more credit for her solo stuff. To celebrate her, I’ve created a “A Very Kacey Playlist” on Spotify for her. She also has an album coming out early next year, Golden Hour, which I am stoked for! My appreciation and respect for Miranda Lambert also grew this year, which can be credited to her album The Weight of These Wings from 2016. There’s also been talk about a new Pistol Annies album, which can’t get here fast enough!

A Year of Concerts

This year my list of concerts attended grew substantially. Some of these concerts were for artists whose names I didn’t even know at the start of this year. People (who I’m embarrassed to say I didn’t know sooner) like Ray Wylie Hubbard, John Prine, Lukas Nelson & Promise of the Real, and Nikki Lane. I even attended my first all-day music festival in Camden, NJ this year when I drove up for the Outlaw Music Festival. It was there that I got to see Willie Nelson for the first time and Eric Church for the seventh time. Other concerts that I attended this year included Sturgill Simpson, two different nights on Eric Church’s “Holdin’ My Own” tour (Pittsburgh and Washington, DC), and Mashrou’ Leila (a Lebanese band that has nothing to do with the rest of this post but they’re amazing and I love them!)

One really cool thing that happened to me this year was that I won free front row seats to a John Prine and Dan Auerbach concert at DAR Constitution Hall in Washington, DC. I remember entering the contest for the tickets but I never win anything so I didn’t hold my breath on getting them. Funny thing is that the week leading up to the show I almost bit the bullet and bought a ticket for a nosebleed seat just so I could go. Well, good thing I didn’t, because a couple of days before the show, I got a call letting me know that I had won two tickets for front row seats along with a $50 merchandise voucher. Thanks to that voucher I am now the proud owner of a John Prine poster (painted to look like Ben’s Chili Bowl- a DC landmark) and The Missing Years on vinyl. I didn’t really know Dan Auberbach before that, aside from the fact that he is one half of The Black Keys, but after hearing him perform his solo stuff live, I became a fan. And how was that concert, you ask? “Pretty good, not bad, I can’t complain!” 

John Prine and Dan Auerbach at DAR Constitution Hall on November 10, 2017. (Photo from my crappy iPhone camera)

And since we’re on the topic of cool concert experiences this year, I just want to mention that at Ray Wylie Hubbard‘s concert at Hill Country BBQ in DC this past August, he mentioned the name of this blog while on stage. Now that’s pretty damn cool!

Keeping Up and Catching Up

There are some people out there that listen to every new album that comes out in its entirety and can break down each track while talking about the album as a whole. Many of those people get paid to do just that. I, however, do not. Also, that’s not me. I feel like there’s always new music coming out so I’d just stress myself out trying to do that. It also takes a while for me to really get into songs sometimes. So if it’s two months after an album has come out before I really listen to it, so be it. I’m happy being late to some parties.

With that being said, I do try and listen to some of the new stuff as it comes out when I can. Some great stuff that’s just come out is Neil Young and Promise of the Real‘s The Visitor. This album combines Lukas Nelson’s band Promise of the Real with the iconic Neil Young. The 2016 presidential election is a theme that you can hear on this album in songs like “Already Great.” Why are people trying to make America great again when, as Neil Young says, it’s already great? If I were gonna go back and rewrite my post on liberal country music, this song would definitely be on that list.

Lots of other albums came out this year that I haven’t spent as much time with as I should have- Travis Meadows‘s First Cigarette is one of them. Though I will say that “Long Live Cool” is in fact a cool song. I’ll always have a soft spot in my heart for this guy because he’s the incredibly talented songwriter behind one of my all-time favorite songs- Dierks Bentley’s “Riser.” (He’s also mentioned twice in my post about Eric Church’s songwriting, “Eric Church: An Outsider, A Songwriter,” since he was a co-writer on both “Dark Side” and “Knives of New Orleans.”)

I also liked Chris Stapleton’s “From a Room: Volume 1” but admittedly haven’t given “From a Room: Volume 2” as much attention as it probably deserves. Sorry folks! The same goes for Lee Ann Womack‘s new album The Lonely, The Lonesome & The Gone, whose title track I love but I haven’t really ventured too far past that.

Some artists that I want to spend some more time getting to know better in the coming year are Rhiannon Giddens and Turnpike Troubadours.

Photographs and Memories

If I had to sum up 2017 in one picture, it would be this one:

(Photo from Vinyl Ranch’s Instagram)

I also just wanted an excuse to post this picture!

Looking Ahead to 2018

It’s hard to say what 2018 will hold. Only time will tell what other great artists I’ll find in the coming year. Perhaps I’ll be talking about a completely different genre of music in 365 days. Here’s to hoping that 2018 leads to many new discoveries- both musical and in general!

Here’s to also hoping that Eric Church releases some brand new music next year- that’s not asking for too much, is it?

You can find all of my favorite songs from the artists mentioned in this post on the beltwayboots Spotify account. My “Best of 2017” playlist can be found here.

Currently listening to: All of the great music that I discovered this year!


A Honky Tonk Holiday

Hey y’all! I’m back from my blogging hiatus (at least for now)! With work being busy these past few weeks, along with the madness of the holidays, plus a trip to NYC, there wasn’t a whole lot of time to sit down and write. But with Christmas coming up (in like 7 days!), I didn’t want to miss the opportunity to talk about some of my favorite country Christmas songs. While I’m not a HUGE fan of Christmas music like some people are (especially the more religious stuff), I realize the season wouldn’t be complete without it, especially these next songs I’m about to discuss.

Dolly Parton- “Hard Candy Christmas.” Deck the halls with boughs of Dolly! Like most of the songs on this list, I’ll listen to this one year round. Like if it comes up on my Spotify shuffle in June, chances are I’m not gonna press skip. This song is so relateable because we’ve all had a hard candy Christmas at some point in our lives. Hey, they can’t all be Reese’s-peanut-butter-cups-in-the-gold-and-green-and-red-wrappers-Christmases! This song comes from Dolly’s movie “The Best Little Whorehouse in Texas,” which if you haven’t seen, you should! I know I’m long overdue for a re-watch!

Alan Jackson- the entire Honky Tonk Christmas album. I should probably just do an entire album review for this one. This album has been the soundtrack of many a Christmas for me. It’s not only Christmas-y, it’s quintessential 90s country, so you better believe it’s gonna be great! I can remember my mom owning this one on cassette tape in the early days of my youth. With guest appearances from Alison Krauss and Alvin and the Chipmunks, this album has got it all. There’a also a cover of Merle Haggard’s “If We Make It Through December” (Merle’s version gets its own spot below). One of my favorite Christmas songs also comes from this album- “Please Daddy (Don’t Get Drunk This Christmas).” As I mentioned before, I found this song hilarious as a child but later came to learn that for many people with alcoholics in their family, it may not be so funny. Another favorite off this album is “I Only Want you for Christmas” (watch the video below). But honestly, I don’t think you can go wrong with any of the songs off this album!

Merle Haggard- “If We Make It Through December.” If there’s one thing country music is good at it’s serving you up a big dose of reality. One thing about reality is that it ain’t always pretty, or rather, at Christmas time, it ain’t all ribbons and bows and a tree overflowing with gifts. For some, getting through the month of December can be a struggle financially, as Merle details in this song from 1974. The heartbreaking story about a dad who’s been laid off from his factory job and can’t afford to buy his little girl some Christmas cheer should serve as a reminder to all of us to be grateful for the things we do have because there are many who do without. Leave it to The Hag to keep it real and remind us of this!

“I got laid off down at the factory
And their timings not the greatest in the world
Heaven knows I been workin’ hard
I wanted Christmas to be right for daddy’s girl
Now I don’t mean to hate December
It’s meant to be the happy time of year
And why my little girl don’t understand
Why daddy can’t afford no Christmas here”

Kacey Musgraves- A Very Kacey Christmas album! Forget red and green, it’s all about pink and green this year! (#pinkisthenewred) Seriously- the album cover is pink and the vinyl itself is GREEN! I just love it! Top tracks from this album include a “I Want a Hippopotamus for Christmas,” “Ribbons and Bows,” and a duet with Willie Nelson appropriately titled, “A Willie Nice Christmas.” I don’t know about y’all but I’ll be having me a very Kacey Christmas (and a Willie Nice Christmas) this year and for many years to come!

You can catch Kacey performing tomorrow (12/19) on “A Home for the Holidays” Christmas Adoption Special on CBS.

My own A Very Kacey Christmas record along with my other pink Christmas decorations! And yes, that is a John Prine sticker on my turntable!
Did I mention that the album is GREEN? So festive!

Willie Nelson- “Pretty Paper.” Since Kacey and Willie inspired me to have a “Willie Nice Christmas,” I’m doing just that! And it wouldn’t be a “Willie Nice Christmas” without some pretty paper and some pretty ribbons of blue. Every occasion could use a little Willie and Christmas is no exception. This song comes from his first Christmas album released in 1979. Other songs on that album include “Frosty the Snowman,” “Jingle Bells,” and “Rudolph the Red-Nosed Reindeer.”

John Prine- “Christmas in Prison.” While I’m sure that being in prison is awful every day of the year, I imagine Christmas is the worst of those days. If you find yourself behind bars on Christmas Day (I hope you don’t!), perhaps hearing this song can provide you with some sort of comfort. I was lucky enough to see John in concert last month at DAR Constitution Hall in DC where he played this song. The best part about that show? The FREE front row seats! Just kidding- it was the crush I developed on Dan Auerbach (of The Black Keys) who opened for John.

I hope these songs help to add a little holiday cheer to your Christmas, Hanukkah, Kwanzaa, Shab-e Yalda, New Years, or maybe just to your December. Have a honky tonk holiday, ya’ll!

And now, just to piss off the Christian Conservatives, Happy Holidays everyone!

As always, you can find a Spotify playlist on the beltwayboots account for all of my posts, including this one! Find my “A Honky Tonk Holiday” playlist here.

Currently listening to: A country song about Hanukkah. Just kidding, there isn’t one! But someone should get on that. Kinky Friedman- I’m looking at you!

The Tracks I’m Playing (Week of August 21, 2017)

As y’all know, there’s a solar eclipse happening today. I guess this is the universe’s way of trying to make a Monday exciting. I’m honestly scared of going blind so will probably not be going outside to watch it and will stick to watching it online. Lame, I know.

The Tracks I’m Playing

Townes Van Zandt- “Waiting Around to Die.” I know what you’re thinking and it’s probably something along the lines of, “come on, Brittany, this old song from 1968!?” Well, let me explain myself. I actually first heard this song thanks to Whitey Morgan and the 78’s who covered it on their 2015 album Sonic Ranch. However, as these things usually go, I found the original Townes Van Zandt version soon after and realized how amazing it is. So while this song may be old as dirt, it’s a classic and deserves recognition for being so. It also came in at number 31 on Rolling Stone‘s list of “40 Saddest Country Songs of All Time.” Even if the song might make you blue, I would still suggest that you go ahead and give it a listen, I mean, it’s easier than just waiting around to die!

Whitey Morgan and the 78’s- “Bad News.” Since I talked about Whitey above, it only seems fair to give him his own mention here…even if he is bad news everywhere he goes and always gettin’ in trouble and leaving them girls that hate to see him go. Slow your roll, Whitey!

Anderson East- “All On My Mind.” Though not “country” per se, this American rhythm and blues artist dates Miranda Lambert and is featured on the Southern Family album that I wrote about last week, so I see no issue with including him here. The rhythm and blues world that he’s a part of is not one that I had really tapped into before and shame on me because this guy is great and everything I’ve heard so far I really like. Take “Satisfy Me” and “Find ‘Em, Fool ‘Em and Forget ‘Em,” for example. Both are excellent songs!

Margo Price- “Four Years of Chances.” Whether it’s been four days, four weeks, four months, or in Margo’s case, four years, there’s a good chance that at some point you gave someone way too many chances. Hopefully you realized it before 1,461 days had passed by! My favorite thing about this song? When Margo sings the word, “chances.” She realizes she gave you several years too many of these and it can’t help but come through when she sings.

Nathaniel Rateliff & The Night Sweats- “I Need Never Get Old.” Like with Anderson East, I’ve been exploring artists that I typically wouldn’t have since starting this blog and Nathaniel Rateliff is one of those. His sound is influenced by folk, Americana, and vintage rhythm and blues so I guess this places him somewhere in the middle. Whatever category you choose to place him in, I’m a fan. I particularly like the saxophone and trumpet that are found in this song. If you’re a fan and haven’t seen his performance of this song on NPR’s Tiny Desk Concerts series, I would suggest checking it out.

Sturgill Simpson- “It Ain’t All Flowers.” This song is from The Sturge’s album Metamodern Sounds in Country Music and it’s one of his many songs that I’m currently digging. I’m not 100% sure what a metamodern sound is, especially in regards to country music, but I feel like this song comes pretty close to being the epitome of what that sound might be. I’m slowly counting down the days until I see him in concert (25 days!) and making sure I’m prepared by listening to as much of him as I can. Needless to say, it’s been great!

“But it ain’t all flowers
Sometimes you gotta feel the thorns”

Thanks for the Shout Out, Mr. Hubbard!

Ray Wylie Hubbard- “Tell the Devil I’m Getting There as Fast as I Can.” Since I saw him in concert on Friday night and since his new album by the same name came out on Friday, it only makes since that Ray Wylie Hubbard is on this list. And Eric Church sings on this song, along with Lucinda Williams, so yeah, I’m including it!

Also, on Friday, August 18th at approximately 11:30 p.m., Ray Wylie Hubbard mentioned Beltway Boots while on stage at Hill Country BBQ in Washington, DC!!! I kid you not he actually mentioned “Beltway Boots” while on stage and said, “she’s supposed to be here tonight.” Well, I was definitely there and I definitely heard you mention Beltway Boots! That was pretty freakin’ awesome so thanks, Ray Wylie! I’ve finally achieved my 5 seconds of fame, y’all!

Apparently there’s no video up for this song on YouTube but if you wanna listen to it, I’ve added it to my Spotify playlist “The Tracks I’m Playing” where you can find all of the songs that I write about each week.

The Dime Store Cowgirl Birthday Girl 

And since today is this Dime Store Cowgirl’s birthday, Kacey Musgraves- “Good Ol’ Boys Club is also a track I’m playing. This is one of my favorite song of hers because it further affirms my longheld belief that trying to be a part of the good ol’ boys club just ain’t worth it! Cigars and handshakes? I appreciate ya but no thanks! Happy Birthday, Kacey!

“I don’t need a membership to validate
The hard work I put in and the dues I paid
Never been to good at just goin’ along
I guess I’ve always kind of been for the underdog”

Currently listening to: Bonnie Tyler- “Total Eclipse of the Heart.” Isn’t this what everyone is listening to today? Be sure to protect your eyes today people! I don’t want you to be singing “Blinded by the Light” when it’s all said and done.

That Good Ole Liberal Country Music (Yep, you read that right!)

It’s hard being a liberal country music fan sometimes, especially when you’ve got artists like Toby Keith and Alabama performing for Donald Trump. Toby Keith even took things a step further by performing for Trump on his trip to Saudi Arabia in May. Was he finally going to put a boot in their ass for 9/11?? Nope. Instead he went to kiss some ass (who goes by the name of Donald Trump) by performing a free concert, which was for men only. This might’ve been the first time in Saudi history that women had the advantage over men by not having to sit through that. Though it has been said that Toby Keith is not a supporter of Donald Trump, actions speak louder than words, and his actions are saying otherwise. And Alabama, really!? The same band that sings, “Daddy was a veteran, a southern democrat, They oughta get a rich man to vote like that” in “Song of the South!” Where did these guys go?

Not only do you have country artists cozying up to Trump but the lyrics of some country songs are pretty dang awful. I practically had to pick my jaw up off the ground when I was listening to David Allan Coe’s “If That Ain’t Country” not too long ago and heard the n-word. I even Googled the lyrics just to be sure I didn’t mishear him. I didn’t. He actually said it. As I looked more into Coe’s music, I found that in the ’80s, he released an underground album with a song that has a title too offensive to post here because it contains, you guessed it, the n-word again. If you’re curious about this song, there’s a whole world wide web where you can look this up for yourself. It might just be the liberal snowflake (sarcasm) in me getting offended by things but I think these songs should offend most people, not just us beautiful snowflakes.

Thankfully, for liberal country music fans like myself, there are people like Jason Isbell, Sturgill Simpson, Kacey Musgraves, and Will Hoge out there who have restored my faith that there are other like-minded people in this genre.

Not Your Typical Country Song (And Thank Goodness!)

On Jason Isbell and the 400 Unit‘s new album, The Nashville Sound, there’s a song called “White Man’s World.” In addition to discussing race, looking at both African Americans and Native Americans in this country, this song also takes a swing at the patriarchy.

Isbell appeared on The Daily Show With Trevor Noah where he discussed this song along with the emotions that he was feeling the day after Trump won the election, especially in regards to his daughter. In this interview, Isbell said, “The thing that popped into my mind first was ‘Thank God she’s an infant, because I don’t have to explain any of this to her. She’ll figure it out as she grows up, but if she was a couple of years older I would have to be like, ‘OK, honey here’s what happened today and this is why your father doesn’t really know anything about human people in this country anymore.'”

In “White Man’s World,” Isbell brings up the emotions that he was feeling in regards to his daughter after the election by singing about how he once thought this world could be hers, but her momma knew better (her momma being Jason’s wife, singer/songwriter Amanda Shires Isbell). He also talks about looking into a black man’s eyes and “wishing [he’d] never been one of the guys who pretended not to hear another white man’s joke.” These are all topics you’re not likely to find in many country songs, making this song, and Jason’s outspokenness about politics, all that more important and necessary in these troubling times.

Love Trumps Hate

Not only are country songs dealing with the political issues of the day but so too are their music videos. In his video (see below) for “All Around You,” Sturgill Simpson shows a young boy draped in a cape with a superhero mask across his eyes who goes on to battle an enemy who has an uncanny resemblance to Donald Trump (take a look at minute 2:34, which is also pictured above.) He manages to defeat this Trumpian enemy with his heart-shaped shield, which he uses to make a hole in this guy’s wall (sound familiar?) for people to walk through. Hearts appear in other parts of the video from the ring on the young superhero’s finger to the shape of the stars that illuminate the sky after his defeat. This song comes from Sturgill’s Grammy Award winning album A Sailor’s Guide to Earth, which he wrote as a letter to his son and wife. I can only imagine that Sturgill sees his sons (he now has two) reflected in the little boy in this video. The fact that he’s probably teaching them to use love to combat the hateful things taking place in this world makes me love Sturgill even more than I already did (and that was a lot!)


This isn’t the first time (and I’m sure it won’t be the last) that Sturgill Simpson has gotten political in his music. Take the lyrics from his song “Call to Arms” for example.

“I done Syria, Afghanistan, Iraq and Iran
North Korea tell me where does it end
Well the bodies keep piling up with every day
How many more of em they gonna send

Well they send their sons and daughters off to die
For some oil
To control the heroin
Well son I hope you don’t grow up
Believing that you’ve got to be a puppet to be a man”

Country music needs more artists like Sturgill Simpson who aren’t afraid to get political in their songs and music videos!

[Side note: if you aren’t familiar with the genius that is Sturgill Simpson, please take some time to familiarize yourself. This man is one of the best things to happen to country music in a looong time!]

Love Whomever You Damn Well Please

I couldn’t write this post without including my girl Kacey Musgraves. In 2014, she won Song of the Year at the CMA Awards for her song, “Follow Your Arrow.” Despite this achievement, Kacey got some crap for this song. With lines like “Make lots of noise, kiss lots of boys, or kiss lots of girls if that’s something you’re into” and encouraging people to roll up a joint (or don’t), people’s panties definitely got in a bunch over this song. According to Fox News, some people saw the song as an “attack on Christians” (insert picture of me rolling my eyes here.) With Trump’s announcement last week that transgender people will no longer be allowed to serve in the military, more friends of the LGBTQ community need to speak up and speak out. Kacey not only did this with her music but she also tweeted her support of pride month back in June and even wrote a love letter to the LGBTQ community featured on Billboard.

To all the members of the LGBTQ community- keep following your arrow!

That Damn Confederate Flag

Country music is synonymous with the south, which unfortunately often brings to mind images of Confederate flags. Thankfully, there are country artists speaking out against this ugly flag in their music. When it comes to the stars and bars, Will Hoge ain’t having it. In his song, “Still a Southern Man,” he makes it clear that you can be a southerner and not support the Confederate flag. However, he hasn’t always felt this way. Growing up in South Carolina, Hoge “used to proudly wave the Confederate flat at high school football games.” After all, his school’s mascot was the rebel soldier. It wasn’t until he graduated and began traveling and meeting people from different walks of life that he finally saw the flag for what it really is: a symbol of “slavery, oppression and secession.” He discusses this realization in his song where he calls the flag “a hammer driving nails in the coffin of a long dead land.”

“There’s a flag flying overhead
And I used to think it meant one thing
But now I’ve grown up and seen the world
And I know what it really means
I wanted it to be the symbol of a boy
Who wasn’t scared to take a stand
But now I know it’s just a hammer driving nails
In the coffin of a long dead land”

The artists that have been mentioned in this post are all newer artists, but as Steve Earle shows, the older guys are also getting in on this. Earle sang about his disdain for the Confederate flag in his 2015 song, “Mississippi It’s Time.” In this song, he tries to reason with Mississippi that it’s time for the flag to come down. As the song states, “we can’t move ahead if we’re lookin’ behind.” Another major kudos goes to the “Copperhead Road” singer for giving all of the proceeds from this song to the Civil Rights organization Southern Poverty Law Center.

Look away, Mississippi
Mississippi, you’re on my mind
All the crosses burned and the lessons unlearned
Left a scar across my heart and it’s ten miles wide
Sick of sloggin’ through the history of this wounded land of mine
Still payin’ the cost cause the war was lost
Mississippi, don’t you reckon it’s time

I wish I was in a land that never held a soul in bondage ever
Wouldn’t have to drag these chains behind 
Mississippi, it’s time

Us liberals know the true meaning of this flag (it’s slavery- anyone who says differently needs to quit kidding themselves) and appreciate artists like Will Hoge and Steve Earle for speaking up about this.

Final Thoughts

Although Johnny Cash never lived to see a Trump presidency (or evan a candidacy- that lucky son of a gun!), I’d like to think that if he were alive today, that he would be opposed to this administration. Because if not, what was wearing all that black really for?