The Tracks I’ve Been Playing So Far in 2018 (Second Quarter)

What I’m Listening To

This past quarter (April-June), I’ve been getting deep into certain artists/groups. Groups like the Turnpike Troubadours and Arctic Monkeys and artists like Cody Jinks and Nikki Lane. One group that’s made a big impression on me are the Turnpike Troubadours. I’ve fallen hard for this sexy sextet. While their latest album (mentioned below), is first-rate, their old stuff is just as amazing. With songs like “Time of Day,” “Long Hot Summer Day,” and “Gin, Smoke, Lies” these guys are definitely gonna go down as one of my favorite bands and Evan Felker‘s name will forever have a place on my list of favorite songwriters. AND I’ll be seeing these guys tonight in concert at the 9:30 Club along with Charley Crockett.

Albums I’m Loving  

Before getting into the singles, I’ll start off with albums that I’m loving. While most of these albums were released in 2018 there are a few from 2017 listed below as well.

2018
Brandi Carlile
By the Way, I Forgive You (Top songs: “Every Time I Hear That Song,” “Sugartooth,” “Hold Out Your Hand,” “The Joke“- basically the entire album) (You can read about me seeing Brandi perform all of the songs off her new album in concert here)
John PrineThe Tree of Forgiveness (Top songs: “Egg & Daughter Nite, Lincoln, Nebraska, 1967,” “Summer’s End“)
Kacey MusgravesGolden Hour (Top songs: “Oh, What a World,” “High Horse,” “Happy & Sad” (Read my album review of Golden Hour here)
American Aquarium– Things Change (Top songs: “The World Is On Fire,” “Crooked+Straight“)
Dierks Bentley– The Mountain (Top songs: “The Mountain“, “Woman, Amen,” “My Religion“) (Brandi Carlile also makes an appearance on the album in the song “Travelin’ Light.”)
Sarah Shook & The Disarmers– Years (Top songs: “Good as Gold,” “Parting Words”) (I saw Sarah and her band back in April and I’ve already got tickets to see them again in October when they roll back through DC!)
Mary GauthierRifles and Rosary Beads (Top songs: “Brothers” and “Bullet Holes in the Sky“)
2017
Turnpike Troubadours– A Long Way from Your Heart (Top songs: “The Housefire,” “Something to Hold On To“)
Lilly HiattTrinity Lane (Top songs: “The Night David Bowie Died,” “So Much You Don’t Know“) (I got to see Lilly Hiatt in concet in May- read about it here!)
Nikki Lane– Highway Queen (Top songs: “Foolish Heart,” “Lay You Down“)
Dan Auerbach– Waiting on a Song (Top songs: “Never In My Wildest Dreams,” “Stand by My Girl“)
Sarah Shook & The Disarmers- Sidelong (Top songs: “Dwight Yoakam,” “Fuck Up“) (Yeah, I know she’s got two albums listed here but she released two great albums in back to back years, what can I say?)

The Tracks I’ve Been Playing (from 2018)

*in alphabetical order  

And now, for the singles. As you’ll notice, I’ve stayed true to my pattern of including both brand new songs and songs that are several years (or more) old.  I’ve put all of the songs from 2018 together and then broken up the older stuff below. I’ve also decided to just list these out without my usual commentary on each song (with a few exceptions) because 1) I figure most of you don’t care and 2) this list is pretty long and ain’t nobody got time for that!

Blackberry Smoke- “I’ll Keep Rambin‘”
Leon Bridges- “
Beyond
Brothers Osborne- “
Pushing Up Daisies (Love Alive),” “I Don’t Remember Me (Before You),” “Slow Your Roll (all from their new album Port Saint Joe)
The Brummies (feat. Kacey Musgraves)- “
Drive Away
Paul Cauthen-
Everybody Walkin’ This Land,” “Resignation” (both from his new EP Have Mercy)
Childish Gambino– “This Is America” (watch the video!)
Charley Crockett– “Ain’t Gotta Worry Child
Brent Cobb– “King of Alabama
Dawes- Living in the Future
Jade Bird– “Lottery
Jeff Hyde– “Old Hat
Jewel– “Body On Body” (from Johnny Cash: Forever Words, an album based off of the poetry of Johnny Cash.)
Ruston Kelly– “Asshole
Ruston Kelly (feat. Kacey Musgraves)- “To June This Morning” (also from Johnny Cash: Forever Words, an album based off of the poetry of Johnny Cash. You can learn more about this song from husband and wife Ruston and Kacey here.) 
Shooter Jennings- “
Rhinestone Eyes
Cody Jinks
– “Must be The Whiskey” (from his upcoming album Lifers, which will be released July 27th)
Ashley Monroe– “Hands on You,” “Rita,” “Paying Attention” (Her new album Sparrow is pretty great- and it was produced by none other than Dave Cobb!)
Kacey Musgraves– “Roy Rogers” (Elton John cover from Restoration: The Songs Of Elton John and Bernie Taupin)
Willie Nelson– “Last Man Standing
Old Crow Medicine Show– “Look Away
Lindi Ortega– “The Comeback Kid” (read about the Lindi Ortega concert I attended in April here)
Erin Rae– “Putting on Airs
Nathaniel Rateliff & The Night Sweats– “You Worry Me
Amanda Shires– “Leave It Alone
Caitlyn Smith– “St. Paul,” “Do You Think About Me” (both from her album Starfire)
Justin Timberlake feat. Chris Stapleton– “Say Something
Sadler Vaden– “Monster” (can’t seem to find this on YouTube but it’s on my Spotify playlist)
Shakey Graves– “My Neighbor
Western Centuries– “Own Private Honky Tonk,” “Wild You Run
The Wild Feathers– “Big Sky

The Tracks I’ve Been Playing (not from 2018)

*in alphabetical order

American Aquarium- Wolves” (2015)
Ryan Bingham-
Bread & Water,” “Sunrise” (2007)
The Black Keys– “Little Black Submarine,” “Gold on the Ceiling” (2011) (Yeah, I know I’m late to The Black Keys party. Sorry, my invitation got lost in the mail!)
Leon Bridges– “Twistin’ & Groovin’” (2015)
Tyler Childers– “Play Me a Hank Song,” “Bottles And Bibles” (2011)
Slaid Cleaves-
God’s Own Yodeler,” “Texas Love Song” (2013)
Charley Crockett-
Jamestown Ferry” (2017)
Ward Davis
(feat. Jamey Johnson and Willie Nelson)Old Wore out Cowboys,” “I Got You” (reminds me of a modern day version of Waylon and Willie’s “I Can Get off on You“) (2015)
Dave Rawlings Machine– “The Weekend” (2015)
Dawes– “A Little Bit Of Everything” (2011) (this song get me misty-eyed!) 
The Dead South- “
In Hell I’ll Be In Good Company(watch the video!) (2014)
The Devil Makes Three– “All Hail” (2009)
Dispatch– “Curse + Crush,” “Midnight Lorry” (2017)
Justin Townes Earle– “Harlem River Blues,” “One More Night In Brooklyn” (2010) (Read about me seeing him in concert in May here)
Dom Flemons– “Too Long I’ve Been Gone” (2014)
Shakey Graves– “Dearly Departed (with Esmé Patterson),” “Roll the Bones” (I’ve included live versions of these songs since this is the way they were introduced to me and it’s the only version of “Roll the Bones” that I listen to)
William Clark Green– “Ringling Road” (2015)
Patty Griffin– “Making Pies” (2002)
Cris Jacobs– “Jack the Whistle and the Hammer,” “Hallelujah Hustler” (2016)
Jamestown Revival- Midnight Hour” (2016)
Shooter Jennings
– “I’m Left, You’re Right, She’s Gone” (2016)
Reckless Kelly– “Wicked Twisted Road” (2005)
The Head and the Heart– “Shake” (2013)
Natalie Hemby– “Cairo, IL” (2017) (I kinda wanna go here now)
Zephaniah OHora– “High Class City Girl from the Country” (2017)
Hurray For the Riff Raff– “Rican Beach” (2017)
Lucero– “Went Looking for Warren Zevon’s Los Angeles” (2015)
Lillie Mae- Honest and True” (2017)
James McMurty
– “Long Island Sound,” “You Got to Me” (2015) (He was the opening act for Jason Isbell when I saw him back in February. Apparently he’s Jason’s favorite songwriter. And Jason is one of my favorite songwriters. So I guess this guy is partially to thank for that.)
Nikki Lane– “Gone, Gone, Gone” (2011), “All or Nothin’” (2014)
Parker Milsap– “Wherever You Are” (2016)
John Moreland– “Hang Me in the Tulsa County Stars” (2015) “Love Is Not an Answer” (2017)
Esmé Patterson– “No River,” (2016) “Tumbleweed” (2014) (from her album Woman to Woman, which is a concept album written as a response to famous songs about women. This one is about Townes Van Zandt’s “Loretta.” Other songs include “Never Chase A Man” about Dolly Parton’s “Jolene” and “Bluebird” about The Beatles’ “Eleanor Rigby.”)
Chris Stapleton– “Scarecrow in the Garden,” “Hard Livin’” (2017) (I prefer the version of “Hard Livin'” with Sturgill Simpson from SNL, but hey, that might just be me!)
The Steel Woods– “Let the Rain Come Down,” “Better in the Fall,” “If We Never Go” (2017) (So I will add some quick commentary on this band because I saw them in concert earlier in June. These guys have a great Southern rock sound and I enjoyed hearing them play their own stuff along with some covers including “Yesterday’s Wine,” “Whipping Post,” and “Lonesome, On’ry, and Mean” at Jammin’ Java in Vienna, VA.)
Twin Forks– “Can’t Be Broken” (the Audiotree Live Version) , “Cross My Mind,” “Back to You” (2014) (Late to the game in finding this group but after seeing Dashboard Confessional in concert back in March it was brought to my attention that Chris Carrabba (swoon!) has a folk band and they’re pretty good!)
Uncle Lucius– “Keep the Wolves Away” (2013)
Colter Wall– “Sleeping on the Blacktop,” “The Devil Wears a Suit and Tie,” (2015) “Thirteen Silver Dollars” (2017) (Read about my experience seeing Colter Wall in concert here)
Willie Watson– “Gallows Pole” (2017)
Whiskey Myers– “Stone” (2016)
The Wild Feathers– “The Ceiling” (2013)
Jack White– “Honey, We Can’t Afford to Look This Cheap” (2007)
Wrinkle Neck Mules– “Whistlers & Sparklers” (2015)
Yellow Feather– “If You Ain’t Cheatin’” (2017)

The Tracks I’ve Been Playing (from WAY before 2018)

*in alphabetical order

The Allman Brothers Band- Ain’t Wastin’ Time No More” (1972)
Guy Clark-
Anyhow, I Love You” (1976), “Dublin Blues” (1995)
Dramarama- Anything, Anything [I’ll Give You]” (1990)
Tom T. Hall- Faster Horses” (1976) (this song makes a great addition to any Kentucky Derby playlist!) 
Elton John-
Honky Cat” (1972) “The Bitch Is Back” (1974) (I’ve always loved Elton John but with the recent release of Restoration: The Songs Of Elton John and Bernie Taupin, which features artists like Kacey Musgraves (see above), Lee Ann Womack, and Miley Cyrus, I was reminded of how many songs this man has gifted to us.) 
Robert Earl Keen-
Feeling Good Again” (1998)
Kris Kristofferson– “The Taker” (1971)
Lyle Lovett– “If I Had A Boat” (1987) (Lovett or leave it, you gotta admire this man. I mainly just wanted an excuse to say “Lovett or Leave It”)
James McMurty– “Every Little Bit Counts” (1998)
Old 97’s– “Barrier Reef” (1997), “Champaign, Illinois” (2010)
John Prine– “Ain’t Hurtin’ Nobody” (1995), “Please Don’t Bury Me” (1973)
Willis Alan Ramsey– “Northeast Texas Women,” “Geraldine And the Honeybee” (1972) (These songs are from the only album that Willis Alan Ramsey ever released, a self-titled album. Ramsey is a cult legend among fans of Americana and Texas country. Apparently he will be releasing his second album (46 years later!) at some point in the near future.)
Billy Joe Shaver– “Live Forever” (1993)
Townes Van Zandt– “I’ll Be Here in the Morning” (1968), “If I Needed You” (1972- that’s the fourth song from 1972 in this itty bitty section- must’ve been a good year for music!)
Whiskeytown– “16 Days” (1997)
Lucinda Williams– “Joy” (1998) (her album Car Wheels On A Gravel Road just celebrated its 20th Anniversary. I’ve enjoyed listening to this album and can see why it’s been so influential in Americana/country music.)

You can find all of the songs referenced above (unless they’re not on Spotify) on my second quarter of 2018 Spotify playlist here. Hopefully I managed to get all of these on there. If you missed my first quarter roundup, you can find that post here.

It Ain’t All Country, All of the Time

As I mentioned above, I’ve gotten into Arctic Monkeys here lately. I first learned about them when I was living in London in 2014 when “Do I Wanna Know?” was a big hit. I hadn’t really listened to them much since that chapter in my life but have recently gotten back into them and found so many more songs I like. Songs like the following:

One For The Road
From the Ritz To The Rubble
Piledriver Waltz
Fluorescent Adolescent
I Bet You Look Good On The Dancefloor
Arabella
Stop The World I Wanna Get Off With You
Bigger Boys and Stolen Sweethearts
Four Out of Five
Old Yellow Bricks

You can find all of the Arctic Monkeys songs referenced above along with some others on my “Arctic Monkeying Around” Spotify playlist here.

Albums I’m Waiting For

Some albums that will be coming out soon that I’m looking forward to are Jason Isbell & the 400 Unit‘s Live from the Ryman, Cody Jinks‘ Lifers, Amanda Shires’ To the Sunset, and King of the Road, a Roger Miller tribute album featuring Eric Church, Kacey Musgraves, Dolly Parton, and more- well, dang me!

Currently listening to:  Tyler Childers- Live On Red Barn Radio I & II. This vinyl was waiting for me when I got home last night! “Charleston Girl” and “Dead Man’s Curve” are two Tyler classics and are both featured on this album. Here’s to hoping the that the album gets put back up on Spotify so that I can add these songs to my playlists.

My copy of Tyler Childers’ Live On Red Barn Radio I & II  (released June 29, 2018)
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April Concert Roundup

A Month of Firsts

April has been a crazy month- from my 28th birthday, to work events, to spending time with friends, it’s been a busy month. And in the midst of all the craziness of a wedding (not mine), a baby shower (also not mine), and birthday celebrations (those were mine), I also attended five concerts in April. This month was a month of many firsts- all five of the concerts were for artists that I’d never seen before and four of the venues were places I’d never been before. April also saw my first mechanical bull ride, first Jewish wedding, and first time taking part in Record Store Day (shout out to me for scoring the Eric Church RSD release!) With the constant busyness of life, I need to remind myself that being busy is a blessing- it means I’ve got a job, I’ve got friends, and I’ve got interests that I’m able to pursue. Interests like the many live music events that I get to attend, like the ones below!

Dom Flemons Duo- Pearl Street Warehouse (April 4th) 

April 4th, 2018 marked several firsts for me: my first time at the Wharf, my first time at Pearl Street Warehouse, my first time seeing Dom Flemons, and my first time seeing someone play the bones. Yes, the bones. It’s an actual musical instrument and Dom played them for us that night. There were also some for sale at the merchandise table. You might know Dom from his former band, the Carolina Chocolate Drops, which he was in with Rhiannon Giddens. For his CD release that night, Dom performed some tunes from his new album Black Cowboys. He also did an interview on stage for the Smithsonian (Smithsonian Folkways, maybe? I don’t remember) where he discussed some of the songs and the history behind them. This man knows his stuff and is an exceptionally talented musician and singer too!

Featured song: Caroline Chocolate Drops- “Hit ‘Em Up Style” (no, Dom didn’t play this for us that night but who doesn’t love a Blu Cantrell cover??)

Colter Wall- U Street Music Hall (April 7th) 

The devil might wear a suit and tie but Colter Wall wears deeply unbuttoned shirts. Well, at least he was at his show at U Street Music Hall on April 7th. Since I reference this song, I’ll get my complaining out of the way- Colter Wall didn’t play “The Devil Wears a Suit and Tie.” When my friend asked him why after the show he said they were rushing him off. That’s understandable, especially since there was a 10:30 p.m. show after his. But still. How do you not perform one of your top songs? I won’t dwell on this too much especially since he did play some of his other hits including “Sleeping on the Blacktop” and “Motorcycle.” He was also hanging around after the show by his van and agreed to take pictures with his fans (see mine below), which was cool!

Just a few quick words on Colter Wall that have nothing to do with his performance. For me, Colter’s music brings to mind the artists and songs of country past- his song “Thirteen Silver Dollars” could be inspired by Emmylou Harris, the “Queen of the Silver Dollar,” as he makes a reference to having a “belly full of baby’s bluebird wine” (if you don’t get the reference, she has a song called “Bluebird Wine.”) He also makes a “Blue Yodel No. 9” reference in this song. Then there’s “Sleeping on the Blacktop,” which, in my opinion, sounds similar to Johnny Cash’s “God’s Gonna Cut You Down.” His song “Fraulein” is also a cover song, which was written in 1957 by Lawton Williams and first sung by Bobby Helms. Townes Van Zandt also did a cover of this song. It gives me hope that there are country artists out there who are able to pull from the sounds of the past and bring them into the present. Colter Wall is definitely one of those artists.

After the show, it was brought up by one of the people that I attended the show with that his murder ballad “Kate McCannon,” one of his most famous songs, promotes violence against women. That really got me thinking. Where do we draw the line between what we support in real life and what we’re willing to accept in our music? Late last month I participated in the March for Our Lives and yet a few weeks later I’m listening to Colter Wall singing about putting three rounds into a cheating Kate McCannon. Listening to, and even liking, songs that go against my own personal beliefs is an issue I struggle with. This is especially the case with country music- a genre that often glorifies things that I do not support in my personal life. The killing of one’s spouse is not a theme reserved solely for the men though as women also kill their husbands in country songs. This led to a discussion about the songs in country music where women are the the ones killing their spouses. Songs like Garth Brooks’ “The Thunder Rolls” and the Dixie Chicks’ “Goodbye Earl” being two of the first examples that came to mind. Is a woman killing her abusive husband more acceptable than a man killing his cheating wife? I won’t get into that here since this is just a concert write-up but I think a post dedicated to this topic is worth writing at some point. I’ll hopefully get around to writing that at some point.

wall
Colter Wall and I (April 7, 2018)

Featured song: Colter Wall- “The Devil Wears a Suit and Tie” (because he didn’t play it that night!)

Ruby Boots- Songbyrd Music House and Record Cafe (April 10th) 

The show at Songbyrd on April 10th was super intimate. For the most part it was just Ruby Boots and her friend on stage playing guitar and electric guitar then later in the night it was just a solo Ruby Boots. No drummer, no fiddler, just Ruby and her mate (she’s Australian so I said mate). While I wish more people had come out to support her, having a small group there was nice. Ruby Boots was cracking jokes and telling stories, including one about Bill Murray. She also mentioned that she’s friends with Nikki Lane, who I love. I bet hanging out with these two would be so much fun! It was a real treat getting to hear about Ruby Boots’ personal life and the stories behind some of the songs. I’m not sure if she would have been as engaged with the crowd had there been a large group there. I also love her Australian accent! Aussies rule, mate!

One joke she made was about her new album. She told us that the album is titled Don’t Talk About It, “so don’t tell anybody!” Well, I am telling people- sorry! In addition to singing songs from Don’t Talk About It as well as some of her older songs, she also sang a Tom Petty song and even came off the stage out into the audience with her friend, leaving the guitars behind, to sing an acoustic version of Lucinda Williams’ “Jackson.”

I hope Ruby Boots had fun at Madam’s Organ after the show!

Featured song: Ruby Boots- “It’s So Cruel”

Lindi Ortega and Hugh Masterson- Union Stage (April 24th) 

There’s a great press quote that describes how Lindi Ortega should be onstage- “fun and frightening.” Though I wasn’t really scared at her show, I can understand how she earned this description as some of her songs carry dark themes. Lindi told a story about wanting to sing her song about dying and her guitar player responded with, “Which one? You’ve got six.” I think this anecdote sheds light on the “frightening” side of Lindi. However, it’s the “fun” part (and her shiny red boots) that the fans show up for. Her latest album Liberty is a spaghetti western-esque concept album which follows a character from a dark place in their life to a more happy place at the album’s end. Lindi made sure to play some of the songs from the end of the album (the happy part) to balance out her “frightening” persona. This included songs like “Lovers in Love,” “In the Clear,” and the Spanish song from the album, “Gracias a La Vida.” She also played my favorite song of hers, “Ashes.”

Lindi Ortega and I (April 24, 2018)

Her opening act was someone I had maybe heard of before but had never really listened to. Well, shame on me! Hugh Masterson was really good- not only did I enjoy hearing him sing his songs but his stories in between the songs were funny and helped to counteract the seriousness of his songs’ content. It’s all about that balance!

Featured song: Lindi Ortega- “Afraid of the Dark.” I’ll include this song here because I do like the dark stuff. As Lindi sings, “Don’t get any closer to my heart if you’re afraid of the dark.” Yeah, same.

Sarah Shook & the Disarmers and Zephaniah O’Hora- Pearl Street Warehouse (April 26th) 

Sarah Shook has me all shook up, y’all! I’ll admit that before the show I was so intimidated by this chick. But seeing her on stage and hearing her talk with the audience in between every song, I’m no longer intimidated, as she seems to be really chill and friendly. Actually, the whole band seems to be. Except Kevin- he’s a prima donna (that’s an inside joke only people at the show will get. Sorry, Kevin!) Sarah and her band, the Disarmers, rocked Pearl Street Warehouse on April 26th, which happened to be the first night of their tour. Their songs have an upbeat sound that make lyrics like “I can’t cry myself to sleep so I drink myself to death/I got cocaine in my bloodstream and whiskey on my breath/Ain’t a thing that I can change to get my luck up/I guess I’m just too much of a fuck up” make you wanna get up out your seat and sing along! Her lyrics are raw with lines like “the bottle never lets me down the way you do” and “there’s a hole in my heart ain’t nothin’ here can fill/ But I just keep thinkin’ surely the whiskey will.” Though these lyrics might pack a punch, they’re also served up with a heavy dose of reality thanks to their honesty and Sarah’s delivery. She almost makes you think that you can make it up to mama by getting that “mother-heart tattoo.”

Her opener, Zephaniah O’Hora (yes, his actual name) wasn’t half bad either! I especially liked his song “High Class City Girl from the Country.” He’s from Brooklyn, which I find to be really interesting. This guy goes to show that country really is country wide!

Sarah Shook and the Disarmers (April 26, 2018)

Featured song: Sarah Shook and the Disarmers- “Dwight Yoakam” (is Dwight Yoakam really that anxious??)

Upcoming Concerts (* means tickets are already purchased) 

5/18- The Weight Band feat. members of The Band, Levon Helm Band, & Rick Danko Group at The Hamilton
*5/20- Brandi Carlile at The Anthem
*5/29- Justin Townes Earle- Solo Tour at The Birchmere
*6/1
– Margo Price and John Prine at Wolf Trap
*6/8- The Steel Woods at Jammin’ Java
*6/29- Turnpike Troubadours and Charley Crockett at Friday Cheers (Richmond, VA)
*7/21
– Ray Wylie Hubbard at City Winery
7/24- Jason Isbell and The 400 Unit at Wolf Trap
8/2– Amanda Shires and Sean Rowe at The Birchmere
10/13- Chris Stapleton’s All-American Road Show at Jiffy Lube Live

Currently listening to: Jade Bird- “Lottery.” I felt so bad for missing her set when she opened for Colter Wall so I felt it would only be right to mention her here!

The Mile High Country Music Club

I tend to do my best movie watching when I’m on an airplane. There’s nothing else going on and I usually can’t sleep anyway so why not put on a movie? Not only do airplanes have great movies, including some the newer releases, but they also tend to have pretty decent music too. I was quite impressed with the music selection that I found on Emirates airline on my recent trip to Kenya, especially their country stuff. (Major shoutout to Emirates for having Eric Church’s The Outsiders!) I decided to use the idle time I had on the plane to listen some of the stuff they had on there. Though I tend to stick with the stuff I already know, I decided to try out some new (new to me at least) stuff this time. Below are a few of the songs I found on my flight that are now forever a part of my playlist.

Dolly Parton- “Joshua.” I always prided myself on being a Dolly Parton fan but how did I not know about Joshua? Thankfully, Emirates had a whole Dolly playlist and whoever created it made sure that Joshua was included. While Joshua isn’t the type of man I’d go for, I can see his appeal. And if he makes Dolly happy, well then that makes me happy!

“Joshua Joshua
What you are doing living here all alone
Joshua Joshua
Have you got nobody to call your own
No no no no”

Willie Nelson- “Wives and Girlfriends.” I think we can all agree with Willie that wives and girlfriends (and husbands and boyfriends) should never meet. This song about what appears to possibly be a polygamous man (or just a player?) also makes a reference to being Mormon- proving that Willie Nelson really can get away with singing about anything, even the Mormons.

“Well, I love my wives and I love my girlfriends
May they never meet
May they never know each other when they pass on the street
Well, I might be a Mormon or I might be a heathen or a gambler
I just don’t know
But I love my wives and I love my girlfriends
Turn ’em all out and let ’em all go

Finding this song led me to explore some more songs from his 2014 Band of Brothers album and that’s how I found Hard to Be an Outlaw” and “The Songwriters.” The former song reminds me a great deal of the song that Willie sang with Steve Earle on his latest album, “So You Wannabe An Outlaw.” No matter how many times these guys try to warn people about the outlaw way of life, people just won’t listen! And if you think that outlaws are bad just wait until you meet the songwriters! As Willie sings, they’re heroes but also schemers, they’re drunks and they’re also dreamers. They might be lovers but sometimes they’re also fighters. Note to self: stay away from outlaws and songwriters!

“Our mama’s don’t know what we’re doing
Why we stay out all night long
I told mine I was a drug dealer
She said thank god you ain’t writin songs”

Johnny Cash- “Baby Ride Easy.” Who doesn’t love a good Johnny and June duet? I know I sure do! These two sing about needing the simple things out of a partner: June wants someone who’s loving is good and Johnny wants someone who’s cooking ain’t greasy. What more could you ask for? The long and loving relationship that these two shared makes me think that they each got what they wanted from each other. You can’t really ask for more than that now can ya?

“(Johnny) If I drove a truck
(June) And I were a waitress
(Johnny) And I ordered coffee
(June) And I poured you some
(Johnny & June) Then you’d stop by on your way sometimes later

(June) And if we arm-wrestled, I’d see that you won”

I’m not sure who would’ve won in an arm-wrestling competition between these two but I sure wish I could’ve seen it happen! My money would’ve probably been on June!

This song comes from Johnny’s posthumous album Out Among the Stars, which was released in 2014. The songs on this album are from the lost 1980s sessions of Johnny Cash with producer Billy Sherrill. The songs were discovered in 2012 by Johnny’s son, John Carter Cash, after being shelved by Columbia Records. How many other great songs have been recorded by these artists that have never been released? It makes me sad just thinking about it!

Currently listening to: John Denver- “Leaving On A Jet Plane

That Good Ole Liberal Country Music (Yep, you read that right!)

It’s hard being a liberal country music fan sometimes, especially when you’ve got artists like Toby Keith and Alabama performing for Donald Trump. Toby Keith even took things a step further by performing for Trump on his trip to Saudi Arabia in May. Was he finally going to put a boot in their ass for 9/11?? Nope. Instead he went to kiss some ass (who goes by the name of Donald Trump) by performing a free concert, which was for men only. This might’ve been the first time in Saudi history that women had the advantage over men by not having to sit through that. Though it has been said that Toby Keith is not a supporter of Donald Trump, actions speak louder than words, and his actions are saying otherwise. And Alabama, really!? The same band that sings, “Daddy was a veteran, a southern democrat, They oughta get a rich man to vote like that” in “Song of the South!” Where did these guys go?

Not only do you have country artists cozying up to Trump but the lyrics of some country songs are pretty dang awful. I practically had to pick my jaw up off the ground when I was listening to David Allan Coe’s “If That Ain’t Country” not too long ago and heard the n-word. I even Googled the lyrics just to be sure I didn’t mishear him. I didn’t. He actually said it. As I looked more into Coe’s music, I found that in the ’80s, he released an underground album with a song that has a title too offensive to post here because it contains, you guessed it, the n-word again. If you’re curious about this song, there’s a whole world wide web where you can look this up for yourself. It might just be the liberal snowflake (sarcasm) in me getting offended by things but I think these songs should offend most people, not just us beautiful snowflakes.

Thankfully, for liberal country music fans like myself, there are people like Jason Isbell, Sturgill Simpson, Kacey Musgraves, and Will Hoge out there who have restored my faith that there are other like-minded people in this genre.

Not Your Typical Country Song (And Thank Goodness!)

On Jason Isbell and the 400 Unit‘s new album, The Nashville Sound, there’s a song called “White Man’s World.” In addition to discussing race, looking at both African Americans and Native Americans in this country, this song also takes a swing at the patriarchy.

Isbell appeared on The Daily Show With Trevor Noah where he discussed this song along with the emotions that he was feeling the day after Trump won the election, especially in regards to his daughter. In this interview, Isbell said, “The thing that popped into my mind first was ‘Thank God she’s an infant, because I don’t have to explain any of this to her. She’ll figure it out as she grows up, but if she was a couple of years older I would have to be like, ‘OK, honey here’s what happened today and this is why your father doesn’t really know anything about human people in this country anymore.'”

In “White Man’s World,” Isbell brings up the emotions that he was feeling in regards to his daughter after the election by singing about how he once thought this world could be hers, but her momma knew better (her momma being Jason’s wife, singer/songwriter Amanda Shires Isbell). He also talks about looking into a black man’s eyes and “wishing [he’d] never been one of the guys who pretended not to hear another white man’s joke.” These are all topics you’re not likely to find in many country songs, making this song, and Jason’s outspokenness about politics, all that more important and necessary in these troubling times.

Love Trumps Hate


Not only are country songs dealing with the political issues of the day but so too are their music videos. In his video (see below) for “All Around You,” Sturgill Simpson shows a young boy draped in a cape with a superhero mask across his eyes who goes on to battle an enemy who has an uncanny resemblance to Donald Trump (take a look at minute 2:34, which is also pictured above.) He manages to defeat this Trumpian enemy with his heart-shaped shield, which he uses to make a hole in this guy’s wall (sound familiar?) for people to walk through. Hearts appear in other parts of the video from the ring on the young superhero’s finger to the shape of the stars that illuminate the sky after his defeat. This song comes from Sturgill’s Grammy Award winning album A Sailor’s Guide to Earth, which he wrote as a letter to his son and wife. I can only imagine that Sturgill sees his sons (he now has two) reflected in the little boy in this video. The fact that he’s probably teaching them to use love to combat the hateful things taking place in this world makes me love Sturgill even more than I already did (and that was a lot!)

 

This isn’t the first time (and I’m sure it won’t be the last) that Sturgill Simpson has gotten political in his music. Take the lyrics from his song “Call to Arms” for example.

“I done Syria, Afghanistan, Iraq and Iran
North Korea tell me where does it end
Well the bodies keep piling up with every day
How many more of em they gonna send

Well they send their sons and daughters off to die
For some oil
To control the heroin
Well son I hope you don’t grow up
Believing that you’ve got to be a puppet to be a man”

Country music needs more artists like Sturgill Simpson who aren’t afraid to get political in their songs and music videos!

[Side note: if you aren’t familiar with the genius that is Sturgill Simpson, please take some time to familiarize yourself. This man is one of the best things to happen to country music in a looong time!]

Love Whomever You Damn Well Please

I couldn’t write this post without including my girl Kacey Musgraves. In 2014, she won Song of the Year at the CMA Awards for her song, “Follow Your Arrow.” Despite this achievement, Kacey got some crap for this song. With lines like “Make lots of noise, kiss lots of boys, or kiss lots of girls if that’s something you’re into” and encouraging people to roll up a joint (or don’t), people’s panties definitely got in a bunch over this song. According to Fox News, some people saw the song as an “attack on Christians” (insert picture of me rolling my eyes here.) With Trump’s announcement last week that transgender people will no longer be allowed to serve in the military, more friends of the LGBTQ community need to speak up and speak out. Kacey not only did this with her music but she also tweeted her support of pride month back in June and even wrote a love letter to the LGBTQ community featured on Billboard.

To all the members of the LGBTQ community- keep following your arrow!

That Damn Confederate Flag

Country music is synonymous with the south, which unfortunately often brings to mind images of Confederate flags. Thankfully, there are country artists speaking out against this ugly flag in their music. When it comes to the stars and bars, Will Hoge ain’t having it. In his song, “Still a Southern Man,” he makes it clear that you can be a southerner and not support the Confederate flag. However, he hasn’t always felt this way. Growing up in South Carolina, Hoge “used to proudly wave the Confederate flat at high school football games.” After all, his school’s mascot was the rebel soldier. It wasn’t until he graduated and began traveling and meeting people from different walks of life that he finally saw the flag for what it really is: a symbol of “slavery, oppression and secession.” He discusses this realization in his song where he calls the flag “a hammer driving nails in the coffin of a long dead land.”

“There’s a flag flying overhead
And I used to think it meant one thing
But now I’ve grown up and seen the world
And I know what it really means
I wanted it to be the symbol of a boy
Who wasn’t scared to take a stand
But now I know it’s just a hammer driving nails
In the coffin of a long dead land”

The artists that have been mentioned in this post are all newer artists, but as Steve Earle shows, the older guys are also getting in on this. Earle sang about his disdain for the Confederate flag in his 2015 song, “Mississippi It’s Time.” In this song, he tries to reason with Mississippi that it’s time for the flag to come down. As the song states, “we can’t move ahead if we’re lookin’ behind.” Another major kudos goes to the “Copperhead Road” singer for giving all of the proceeds from this song to the Civil Rights organization Southern Poverty Law Center.

Look away, Mississippi
Mississippi, you’re on my mind
All the crosses burned and the lessons unlearned
Left a scar across my heart and it’s ten miles wide
Sick of sloggin’ through the history of this wounded land of mine
Still payin’ the cost cause the war was lost
Mississippi, don’t you reckon it’s time

I wish I was in a land that never held a soul in bondage ever
Wouldn’t have to drag these chains behind 
Mississippi, it’s time

Us liberals know the true meaning of this flag (it’s slavery- anyone who says differently needs to quit kidding themselves) and appreciate artists like Will Hoge and Steve Earle for speaking up about this.

Final Thoughts

Although Johnny Cash never lived to see a Trump presidency (or evan a candidacy- that lucky son of a gun!), I’d like to think that if he were alive today, that he would be opposed to this administration. Because if not, what was wearing all that black really for?