I usually start these posts with a cheesy pun about Church but this Sunday is different. Given the horrific attack that took place exactly one week ago in Las Vegas at the Route 91 Harvest Music Festival, this week’s “Sundays Are For Church” post is taking a more serious tone. My heart goes out to everyone who was the Route 91 Harvest Music Festival last Sunday and to everyone who lost somebody because of this heinous attack. My heart also goes out to the artists who were part of this festival, especially Jason Aldean and his band members who were performing when the shots began. Despite my changing musical tastes as of late, Jason Aldean will always hold a special place in my heart. I saw him in concert (with Eric Church as one of his openers) back in 2011 and his songs are still on the iPod I’ve had since 2008. (Not that my feelings on Jason Aldean matter- I wouldn’t wish this type of thing on anyone no matter what place they held in my heart!) Jason opened Saturday Night Live last night by saying, “This week we witnessed one of the worst tragedies in American history. Like everyone I’m struggling to understand what happened that night and how to pick up the pieces and start to heal.” He then played Tom Petty’s “I Won’t Back Down,” which I think relayed an important message that Jason, and the country music community, won’t back down to the hatefulness that led to this attack. Well, I won’t back down either!
Two Empty Seats
On Wednesday, October 4th, Eric performed at the Grand Ole Opry in Nashville, giving a moving speech about the attack in Las Vegas before his performance. Forty-eight hours before the shooting last Sunday, Eric performed at The Route 91 Harvest Music Festival in Las Vegas. He spoke about how the people in that audience were his crowd- they held up their records during “Record Year” and they held up their boots during “These Boots.” During “Springsteen” he even went out into the crowd and shook people’s hands. A place that had brought Eric and his fans so much joy witnessed carnage just 48 hours later. Despite not wanting to perform on Wednesday night, Eric did so anyway, because of a video that someone sent to him of Heather Melton, the wife of Sonny Melton, who died protecting her on Sunday night. The video was Heather’s interview with Anderson Cooper on CNN, in which she is wearing a Church Choir t-shirt, and talking about her husband Sonny. When asked what brought them to Las Vegas, Heather replied that they were there to see Eric Church because he was Sonny’s guy- he was “his guy.” She then mentioned that they were supposed to see Eric that very night at the Grand Ole Opry. Eric then pointed out two empty seats in the audience meant for Heather and Sonny. The reason that Eric showed up to play on Wednesday, despite not wanting to, was because of Heather and Sonny, and all the people that were in that crowd. Eric saw those people, he saw them with their boots in the air, and said “what I saw, that moment in time that was frozen, there’s no amount of bullets that can take it away.”
“Why you and why not me?”
Eric ended his speech by saying, “That night something broke in me, on Sunday night, when that happened, and the only way I’ve ever fixed anything that’s been broken in me is with music.” He then played a song that he wrote for the Las Vegas victims called “Why Not Me.” When tragic events like this happen, we often find ourselves asking questions like “why did this person die?” and “why not me?” It’s those types of questions that this song touches on.
“Why you from Tennessee did life capture, And me from Tennessee get away?”
You can listen to Eric’s speech below along his performance of “Why Not Me” at the Grand Ole Opry.
Last Sunday, this country witnessed its largest mass murder by a firearm- 58 people were killed and nearly 500 were injured. The fact that people were killed and injured at a concert, an activity that many of us participated in, makes me sick! The fact that people are killed in movie theaters, elementary schools, college campuses, nightclubs, etc. because of mass shootings in this country makes me sick! Something needs to be done about gun control in this country. We are way past the point of needing to have a conversation about these types of acts because every time something like this happens we talk and talking gets us nowhere. Actions and real legislation involving gun control and access to guns needs to happen. In this day and age, when we are constantly bombarded with news, it’s easy to forget these types of events as our attention turns to the next big news story. But we have to remember these events, and how we felt hearing about them, because if we keep forgetting them, nothing will ever get done. And sadly, until something gets done, another mass shooting is right around the corner. And as we’ve seen, these things can happen anytime, any place, and to anyone. The people attending the Route 91 Harvest Music Festival were just going to a country music festival, the parents who sent their kids to school at Sandy Hook thought it was going to be a normal school day, and the next mass shooting that happens will also be talked about in this same way. I’m glad to see members of the country music community speaking out about gun control like Roseanne Cash (Roseanne Cash: ‘The NRA Funds Domestic Terrorism’) and Caleb Keeter of the Josh Abbott Band. Caleb was there on Sunday night and spoke out saying, ““I’ve been a proponent of the 2nd amendment my entire life. Until the events of last night. I cannot express how wrong I was.” In a genre that so often glorifies guns, I hope that more country artists speak out like Roseanne and Caleb have.
Currently listening to: Tom Petty- “You Don’t Know How It Feels,” from his album Wildflowers. This week, the world lost one of its most iconic singer-songwriters. Tom Petty influenced musicians across genres, including Eric Church. In a 2012 interview about his most influential albums and songs, Eric named Tom Petty’s Wildflowers, saying ‘”Seriously — the first record I made out to in high school. ‘Nuff said.”
“Let me run with you tonight I’ll take you on a moonlight ride”
Happy first Sunday of fall, y’all! It’s time to go to (Eric) Church!
“Three Chords and The Truth” -Harlan Howard
It’s been said that “country music is three chords and the truth.” That saying probably comes from the fact that country music isn’t afraid to discuss the difficult issues that life throws at us. Sure, all genres deal with heartbreak, loss, and grief, but when it comes to songs about things like cancer and Alzheimer’s, I don’t think any other genre can compare to country music. Since September is World Alzheimer’s Awareness Month, I wanted to use the last “Sundays Are For Church” post of the month to bring awareness to this disease.
Many people don’t know that Eric Church not only writes his own songs, but he’s written songs for other artists as well. He wrote “The World Needs a Drink,” which was recorded by Terri Clark and he also helped to write “All Alright,” which was featured on the The Grohl Sessions, an album from Zac Brown Band and the legendary Dave Grohl. Another of his songs was just included on William Michael Morgan’s album Vinyl. That song is “I Know Who He Is” and it fits perfectly with this week’s theme.
The Original Chief
While William Michael Morgan might’ve been the artist who got to record this song, Eric actually sang it first. It was unofficially titled “Alzheimer’s” and Eric performed it at the Country Radio Seminar in 2015 (video below). In this song, Eric describes a situation that many people know all too well- visiting a friend or family member who can’t remember you anymore because of their battle with Alzheimer’s. For Eric Church, that person was his maternal grandfather, Rusty, the original Chief. Rusty served as the chief of police in Eric’s hometown of Granite Falls, North Carolina and he’s the man the Chief album is named after (read more about how Eric got this same nickname here.) When Eric was ten years old, his grandfather was diagnosed with Alzheimer’s and his experience dealing with this comes through in this song.
This song describes the conversations that one has with doctors when visiting their loved ones suffering from Alzheimer’s. While listening to the well-meaning doctor talking about your loved one’s condition and throwing around medical terms, all you can think about is how happy you are that they’re still around. Sadly, I think many of us can relate to the emotions that Eric is feeling in this song. For me, this song brought back memories of my time working in a retirement home throughout high school and college. In my seven years there, which was largely spent working in assisted living, I saw firsthand what Alzheimer’s and Dementia does to a person. This disease doesn’t care if you’ve got kids, a spouse, or loved ones. Or, as was the the case for Eric, if they’re “your dad, your coach, your friend.” Or “the voice behind ‘boy where the hell you been?'” Just as Eric Church watched his grandfather suffer from this disease, I saw many people’s grandparents also dealing with it. It’s a sad thing to witness up close and personal and anyone who’s ever had to deal with this can understand the words of this song all too well.
“I don’t wanna hear “he’s going downhill,” What about “thank god he’s around still?”
Looking right through me is not at all the way I see him,
I don’t mind at all remembering for him,
He don’t have to get why I adore him,
He don’t have to know me, ’cause I know who he is”
Country music is sometimes described as being depressing, probably because of songs like this. But I don’t think these songs are meant to make you sad but instead they’re to help you realize that you’re not alone in whatever it is you’re going through. I hope this song has helped others to know that they are not alone.
“My Dad, my coach, my friend The voice behind “Boy where the hell you been” The lover of my mamma through thick and thin The best man I’ve ever known All time quarterback when us kids were in a bind Cheek full of Red Man in a duck blind And no offense Doc But if you don’t mind I’d like some time alone”
Hear William Michael Morgan’s version of this song in the video below.
According to the Alzheimer’s Association, more than 5 million Americans are living with Alzheimer’s and by 2050, this number could be as high as 16 million. For more information on the Alzheimer’s Association and to donate, please click here.
Currently listening to: Glen Campbell- “Rhinestone Cowboy.” Glen lost his life last month to Alzheimer’s. R.I.P. Rhinestone Cowboy!
“Like a rhinestone cowboy Riding out on a horse in a star-spangled rodeo”
This morning, for the first time in my life, I ordered an extra shot in my (venti!) Americano at Starbucks. The reason why? I didn’t get home until almost 1:30am last night after driving home from the Outlaw Music Festival in Camden, New Jersey and I had to drag my butt to work this morning. But was it worth it? You bet!
I had been wanting to go to this concert for weeks (maybe even months) after seeing the lineup. I mean, Eric Church AND Willie Nelson. Plus Sheryl Crow, who I’ve been listening to since the nineties. I’ve also been writing about Nathaniel Rateliff and the Night Sweats on the blog lately so figured getting to see them live would be cool as well. And I know a few songs from The Avett Brothers and my friends have told me they’re great live. I figured with this many quality acts in the lineup, I couldn’t go wrong. Despite wanting to go for so long, I actually bought my ticket very last minute, like the day before. I was hoping one of my friends would decide to come along but after many desperate pleas (including on social media), I gave up. And you know what? Going solo was fine (I’ll get into this more at the end of the post.)
Like Father, Like Sons
Particle Kid was the first act at the festival. And of course, since I’m early to everything, I was there before he even went on, which meant I got to watch his entire set, which was only like 30 minutes. He sang some weird songs, which he even admitted to. I was wondering why he was included in an “outlaw” music festival as nothing about him really screamed “outlaw” or even “country.” I later found out, during Willie’s set, that Particle Kid is Willie’s Kid (his son, Micah). When they advertize “Willie Nelson AND Family” that’s the family they’re talking about.
Particle Kid wasn’t the only son of Willie’s performing at the festival as Lukas Nelson was also in the lineup. Once again, I did not realize that he was Willie’s son, though this one should have been a little more obvious from the last name and the amazing locks of hair. Oops. Lukas Nelson & Promise of the Real were the second act and they were really good. He even got the crowd (or at least what was there of it at that point) to sing along to “Find Yourself.” Lukas made the crowd laugh by talking about an ex-girlfriend of his named Georgia and how he has to play “Georgia On My Mind” with his dad every night and how that’s a bitch of a situation. That same girl led to him to write the song “[Forget About] Georgia,” which he played right after telling that story. He even played guitar with his teeth at one point- I didn’t even know that was possible! This kid isn’t just riding on his dad’s name- he’s a talent in his own right with a powerful voice and great guitar playing skills. I was impressed!
Both Micah and Lukas joined Willie on stage during his set at the end of the night and played with him throughout its entirety. I was wondering why they called it “Willie Nelson and Family.” Well now I know.
Nathaniel Rateliff and the Night Sweats Sweating it Out in the Day
I’ve written about Nathaniel Rateliff and the Night Sweats on this blog a couple of times now. Though I don’t consider them country, and they’re definitely not outlaws, I think they have a unique sound and deserve recognition. The variety of instruments that the Night Sweats use is impressive in and of itself. In a world where music is so often done on a soundboard and is so overproduced, it’s nice to see musicians playing actual instruments, like the saxophone. I was happy that they played the three songs of theirs that I really like- “Look It Here,” “I Need Never Get Old,” and “S.O.B.” – the latter being a big hit with the crowd, myself included.
Brothers in the City of Brotherly Love
Micah and Lukas weren’t the only brothers who got to perform together at the Outlaw Music Festival. Brothers Scott and Seth Avett a.k.a The Avett Brothers were next in the lineup, along with bandmates Bob Crawford and Joe Kwon on cello. They started off by singing “Clay Pigeons” – a Blaze Foley song that I recognized from the John Prine cover. That wasn’t the only classic country song they covered as they also did George Jones’ (and apparently also The Grateful Dead’s?) “The Race Is On,” which was also covered by Sawyer Brown in 1989 and is the version I’m most familiar with. I actually enjoyed watching them- I think both of the brothers are great singers and they even sang my favorite song of theirs, “Live and Die.” I was, however, a little disappointed that they didn’t sing “I and Love and You,” which is probably their most popular song. I think the crowd at the Outlaw Music Festival would’ve been way more receptive of that song than the one they did where they rapped.
If a Sheryl Crow Concert Makes You Happy, It Can’t Be That Bad
In her set, Sheryl Crow sang some of her new stuff that the crowd and myself were unfamiliar with. But she didn’t disappoint because she still did all of her classics. I’m talking about “Strong Enough,” “If It Makes You Happy,” “My Favorite Mistake,” and “All I Wanna Do.” You remember those songs from the radio back in the ’90s, right? I know I sure do. In fact, she was probably the artist there that I have my oldest memory of. I’m not sure what my first Willie memory is but my I can remember Sheryl Crow’s music from when I was a kid. After twenty years of listening to her, it was pretty cool to see her live. Including acts like Sheryl Crow in the festival meant that I got to see people that I probably wouldn’t have paid to see on their own.
Lukas Nelson made another appearance during Sheryl’s set, coming out to help her play “Midnight Rider” by The Allman Brothers Band. Lukas definitely has the voice to sing that song!
Sundays Are For Church
I bet you guys thought you’d never see it but I actually went to Church on a Sunday!
This was my seventh time seeing Eric Church in concert and my first time seeing him perform an entire set acoustic style. It was just Eric and some guitars- no Joanna, Craig, Jeff, Jeff #2, Driver, or Lee. Just Eric. He started off his set with “Mistress Named Music”- THE SAME VERSION THAT HE DID AT RED ROCKS! (Sorry for yelling!) A.K.A. the “Mistress Named Music-Red Rocks Medley” that I wrote about here complete with Bob Seger, Loggins and Messina, Little Feat, Billy Joel, and George Strait worked into the middle of it. Getting to witness that was worth the ticket price, the price to park, the gas, the drive, and the overpriced food and drinks alone!
Since Camden, NJ is practically Philly, he did Bruce Springsteen’s “Streets of Philadelphia” before jumping into “Springsteen.” I had hoped that he would play this song since we were in Philly and since he always plays a song from The Boss before “Springsteen.” Well, my wish came true!
I would also like to point out, especially for people who think I’m an obsessed Eric Church fan, that I probably saw some of the biggest Eric Church fans ever at the show last night. One woman had his face (from the Chief album cover) tattooed on her back shoulder. If there were a competition for the craziest thing a fan has done, I think getting a tattoo of someone’s face is a good contender for winning it. I can understand getting song lyrics, which I think this woman also had, but someone’s face is on another level. There were also people there who had seen him the night before in Alabama and came all the way to Philly to see him again. According to their sign, they saw him three nights in a row, so Tuscaloosa and Orange Beach, Alabama (or as Eric likes to call it LA- Lower Alabama.) I might’ve driven from Falls Church, VA to Camden, NJ but the people who drove from LA (remember, that’s Lower Alabama) to Camden have definitely got me beat!
Despite it being an acoustic performance, Eric made sure to include all of the Church Choir’s favorite things about his live shows into last night’s performance (many of which I wrote about in my post, “A View from the Church Pew.”) People held up their boots during “These Boots,” he took shots of Jack from the mini bottles that fans brought for him after singing “Jack Daniels,” and he messed up his own songs.
I will say that I was disappointed that he didn’t sing “Leave My Willie Alone.” This would have been the perfect opportunity for it! At least he sang “Record Year,” which references the Red Headed Stranger.
Having a Willie Good Time
Excuse me while I go put a checkmark in the box beside Willie Nelson‘s name on my country concerts bucket list. If you want to see a musical legend, and I’m not just talking about a legend in country music, but a legend in all genres of music, then look no further than Willie Nelson.
For an eighty-four year old, Willie has still got it. As he sings in “Still Not Dead“:
“I run up and down the road and makin’ music as I go They say my pace would kill a normal man But I’ve never been accused of bein’ normal anyway And I woke up still not dead again today”
You got that right, Willie!
As I previously mentioned, his sons Micah and Lukas also joined him on stage for his set, playing guitar and other instruments and singing. Since this was a “Willie Nelson and Family” affair, Bobbie Nelson, who Willie calls “Little Sister” also joined in on piano. While he may call her “Little Sister,” she’s actually two years older than him and yes, she’s biological sister. I guess “Big Sister” just doesn’t have the same ring? Bobbie was also recently inducted into the Texas Country Music Hall of Fame. (Congratulations, Bobbie!) One thing I would like to say is that the Nelson family has got some good genetics when it comes to hair!
There’s still one other family member who was up on that stage with Willie that I haven’t mentioned yet and that’s Trigger. Trigger is Willie’s guitar that he’s had since 1969. As Willie says, “Trigger’s like me, old and beat-up.” I don’t know anything about guitars but this one is a Martin N-20 acoustic and if it’s the one Willie has been using for the past 48 years, then it must be a good one. He’s named after Roy Rogers’ horse Trigger because as Willie says, “it’s kind of my horse.” One time, when Willie’s house caught on fire, he ran inside and two saved things: a pound of weed and Trigger. If you wanna learn more about good ole Trigger, there’s a Rolling Stone exclusive documentary about him here.
At the very end of Willie’s set, The Avett Brothers and Nathaniel Rateliff and the Night Sweats joined him on stage. They got the whole pavilion to join them in singing “I’ll Fly Away.” If I tell people that I got to sing with Willie Nelson it wouldn’t be a lie!
A poor quality video of Willie singing part of “Always On My Mind” is below. Look at how close I was!
Let’s Get Political (sung to the tune of Olivia Newton John’s “Physical”)
Maybe it’s the times we live in but I feel like that kid in the “The Sixth Sense” these days except I see political messages. That’s not a complaint because I think it’s important for artists to speak out and use their microphones for good. The first political message that stood out to me at the festival was in The Avett Brothers’ “Head Full of Doubt/Road Full Of Promise,” especially in the following lines:
“There’s a darkness upon me that’s flooded in light In the fine print they tell me what’s wrong and what’s right And it comes in black and it comes in white And I’m frightened by those that don’t see it
When nothing is owed or deserved or expected And your life doesn’t change by the man that’s elected If you’re loved by someone, you’re never rejected Decide what to be and go be it”
It’s not just the lyrics, as they were definitely not written for the Orangutan in Office, since the song is from 2009 but it was the hand motions that Seth made when he sang that line about the man that’s elected. You know the hand gesture someone makes to indicate that someone talks too much where flap your four fingers against your thumb. Maybe it’s just me but I saw this as a reference to Trump since the man does talk way too much.
Not only that but Willie Nelson’s “Living in the Promiseland,” which he sang with The Avett Brothers and Nathaniel Rateliff and the Night Sweats, has some pretty relevant lyrics to the political times we have found ourselves in (see the lyrics below). The music video for this song starts off with an old news story in black and white about refugees, victims of Nazi persecution, arriving from Europe by boat. As the video points out, many of the children are orphans. As Willie starts to sing, with an American flag bandana on his head of course, images of a diverse array of Americans appear throughout the video. Including this song on the setlist each night of the Outlaw Music Festival seems like a way of getting a message out about refugees and immigrants. Especially when you take into consideration Willie’s own politics. He spoke about this song in an interview from January of this year saying, “I recorded a song called ‘Living in the Promiseland.’…It’s about welcoming everyone: ‘Living in the promiseland, our dreams are made of steel. The prayer of every man is to know how freedom feels. Bring us your foreign songs, we will sing along. …’ Come on, America. We love you. We’ll help you. We’ll find a spot for you.” And when asked, “so you’re not for building walls?” Willie responded with “Fuck no.” I won’t get too much more into politics now since this is a concert review so I’ll save my thoughts on this subject for a another time.
“Give us your tired and weak And we will make them strong Bring us your foreign songs And we will sing along
Leave us your broken dreams We’ll give them time to mend There’s still a lot of love Living in the Promiseland”
Also, whatever happened to the “Willie Nelson for President” campaign? That’s a serious question. If anyone knows what the status of this is, please let me know.
With so many great artists, and merchandise available for each of them, my poor wallet definitely took a hit. I got an Eric Church t-shirt that I had been thinking about for a while and since I know for a fact that it’s not for sale on his website, I decided to go for it. It’s the “Eric Fucking Church” t-shirt. Yes, I realize this is the second shirt I’ve bought in the past few weeks that has the f-word on it (the other one being my “Who The Fuck Is Sturgill Simpson?” t-shirt). No, I do not care. Nor do I give a fuck. I also got a Willie Nelson t-shirt since I couldn’t not. A poster for the show and an Eric Church koozy also made the (figurative) shopping cart.
What was unique about this experience was that it was the first concert I’ve ever done solo. And I didn’t just do a concert solo, I did a whole daylong festival solo. Plus the drive to and from Philly all by my lonesome. And you know what? It was actually kinda fun. Thankfully I sat next to some cool people and they obviously had great taste in music so we had a lot to talk about. I walked away from the festival having learned an important lesson- don’t be afraid to do things by yourself. In fact, every once in a while, do something like going to a concert alone. If you really wanna see a performance, seeing it alone won’t make it any less enjoyable. And it’s good to spend time alone for personal development. It also forces you to meet new people.
The Pit or Bust
This was also my first time sitting in The Pit. Like I’ve never been that close to a stage at a major concert in my life. Sure, I might’ve paid a pretty penny for my seat but if you think about how much a pit seat would be to see each of those artists separately, it was a bargain! After getting to see this show up close and personal, I don’t know if I can go back to nosebleed seats.
If you guys ever get a chance to attend an Outlaw Music Festival, I highly recommend it. Also, take me with you! Or you can just do like I did and go alone. Either way you’ll have a Willie great time!
AND if you’re interested, Lukas Nelson & Promise of the Real will be coming to the DMV area in November, performing at Rams Head Live in Baltimore on Wednesday, November 15th. Get your tickets here.
Currently listening to: Waylon Jennings- “Ladies Love Outlaws.” Oh yes, they do! This song is also the inspiration behind this post’s title, if you were wondering.
Happy Sunday, y’all! I’m happy to see that y’all are choosing to spend it in Church!
It’s been a lovely weekend here in the DMV. Yesterday I even went to a Country Bar Crawl on 14th Street. I won’t spend too much time complaining about the posers that were there but I will say that not one person commented on my Eric Church t-shirt! And also only one of the bars was playing “country” music. There were, however, lots of people wearing flannel, boots, and cowboy hats. It kinda reminded me of a line from Sturgill Simpson’s “Some Days“- “I’m tired of y’all playing dress up and trying to sing them old country songs.” Anyway, enough about that. On a more positive and way cooler note, I’m seeing Sturgill in concert on Friday night and am super excited since this will be my first time seeing him live! And I’ve even got the perfect t-shirt for the occasion, it says, “Who the Fuck is Sturgill Simpson?” Thankfully, everyone at the concert will know who the F he is. And the concert should be f’in great!
Now let’s get to the Church sermon.
“You’re Preaching to the Choir”
We all know the expression, “you’re preaching to the choir.” It’s used when someone says something that you already agree with. Or, according to Urban Dictionary (a very reputable source), “preaching to the choir means you are trying to make believers out of people who already believe, or convince people who are already convinced.” That’s often how I feel when I listen to Eric Church as many of the things he sings about express how I already think and feel. Eric Church isn’t just preaching to the Church Choir, he’s preaching to the choir as I think even people who aren’t members of the Church Choir can agree with a lot of the things he sings about.
Here are some of the statements that Eric makes in his songs that I wholeheartedly agree with, or rather, when Eric made me say, “you’re preaching to the choir!”
“Any song sung by George Strait is country at its best”
You got that Strait! (See what I did there?) Whether it’s “Amarillo by Morning” or “Troubadour,” you can bet that King George (as I like to call him) is singing a song that showcases country music at its best. Eric and I aren’t the only ones who feel this way about King George- the man had 60 number one hits in his 33-year career, more than any other performer in history. All Hail the King!
From: “Love Your Love The Most”
“I believe dogs are better than cats”
My loudest cheer at an Eric Church concert probably comes right after he sings this line. I’ve never felt so strongly about a song lyric before (joking, obviously). Though I do 100% agree that dogs are better than cats. Dogs love you no matter what but with cats you have to earn their love- ain’t nobody got time for that! You can’t take your cat for a walk. You can’t play fetch with your cat. Cats also won’t alert you when someone is breaking into your house. I could go on but I won’t- you guys get the point. Dogs > Cats.
From: “Before She Does”
[Sidenote: this might be the only line in this song that I agree with. I’ll get to that in a later post.]
“Most days in life don’t stand out, but life’s about those days that will”
Ask me what I was doing on June 12th, 2012 and I wouldn’t be able to give you a very detailed answer. But ask me what I was doing on April 21, 2017 and I’ll tell you about the Eric Church concert I went to in Pittsburgh. Or ask me what I was doing on New Years Eve in 2013 and I’ll tell you about how I spent my holiday in Lebanon. These are days that stand out to me so it’s easy to remember exactly what I was doing on those days. Eric’s right in that most of the days in our life won’t stand out for being great but some days will, and it’s those days that make life worth living.
“I wouldn’t be who I am today if not for those I’ve loved along the way”
We’ve all lost someone at some point in our life, either from death or from life changes, like a breakup or a friendship ending. And as Eric points out, each person we’ve known and lost helped to make us who we are today. It’s a nice message- instead of being resentful to people for leaving, you should thank them for what they taught you and for making you the person you are today.
From: “Those I’ve Loved”
“I don’t need baggy clothes or rings in my nose to be cool”
I’ll even take this one a bit further and say that I don’t even need rings in my ears. I’ve gone 27 years without any piercings or tattoos and I’m still pretty dang cool. I don’t think the message here is that you are cool only if you don’t have piercings, tattoos, etc. but that you can be cool with or without these things. You just do you and don’t worry about trying to fit in. And if Eric doesn’t need baggy clothes or piercings to be cool then neither do I!
From: “How ‘Bout You”
“The player’s gonna play and a haters gonna hate and a regulators born to regulate”
Since this song came out before Taylor Swift’s “Shake It Off,” you can’t say that Eric stole this anti-player and anti-hater line from her. Although he may have been influenced by 3LW’s “Playas Gon’ Play….” but that’s just speculation on my part. There’s not really much to say about this line as it pretty much speaks for itself. Players are gonna play, haters are gonna hate, and regulators are most definitely gonna regulate. Don’t say Eric didn’t warn you! Just stick with the Outsider crowd and you’ll be good.
From: “The Outsiders”
“When you’re wrong you should just say so”
I already wrote about this line in my Father’s Day post, “Acting Like a Three Year Old: A Father’s Day Post,” but it’s such an important lesson that I have to include it again. Just admit when you’re wrong- it sounds simple but can actually be quite difficult, which is why this line can’t be emphasized enough. Fessing up to doing something wrong can be difficult at times but you’ll always feel better after you do it. And it’s also part of being a decent human being. If a three year old can do it, so can us adults!
From: “Three Year Old”
Sundays are for Preaching
These are just a few of the examples of Eric Church preaching to the (Eric) Church Choir! I don’t mind listening to his preaching though, especially since I can often use the reminder. In fact, I might be going to hear him do some preachin’ next Sunday at the Outlaw Country Festival. After all, Sundays are for Church (and for Preachin’)!
Currently listening to: 3LW- “Playas Gon’ Play” and “No More (Baby I’ma Do Right).” Some of you may not know that I missed my true calling in life of being in an all girls group. I could’ve seen myself in a 3LW type group, or maybe even TLC. As long as I got to break out in a rap every once in a while, I would’ve been content. Since that never happened (and most likely never will), I’ll stick to dancing (and rapping) in my living room to these songs and pretending I’m in one.
“Playas, they gonna play And haters, they gonna hate Ballers, they gonna ball Shot callers, they gonna call That ain’t got nothin’ to do With me and you That’s the way it is That’s the way it is”
Is there anything better than waking up on a Friday morning to new Church music? That’s a rhetorical question because the answer is obviously no! Normally I wouldn’t be this excited about spending 61 days in Church but in this case, I’m pretty freakin’ excited!
Eric teased us this week by letting us know that we could be expecting something this morning. With just the title, “61 Days in Church” and a promotional video to go off of, many correctly assumed it would be a collection of live recordings from his Holdin’ My Own Tour. Thirty songs are currently available on Apple Music but over time 122 recordings (!) will be released. That’s two songs per show and they’re all being released in chronological order. So far he’s included his shows from Lincoln, Sioux Falls, Grand Forks, Des Moines, Minneapolis, Green Bay, Philadelphia, New York City, Boston, Kansas City, Tulsa, Dallas, Little Rock, Duluth (Georgia), and Birmingham. Can’t wait to hear the recordings from the two days I spent in Church in Pittsburgh and Washington, DC!
I’ve been listening to the live recordings since I woke up this morning and am pretty happy with what’s been released so far. My favorite things about the first 30 songs include: Ray Wylie Hubbard’s appearance on “Screw You, We’re from Texas,” cover songs such as The Band’s “The Weight,” the inclusion of catalogue songs that didn’t make past live albums like “Two Pink Lines” and “Where She Told Me to Go,” Eric messing up the words to his own songs (in “Faster Than My Angels Can Fly” he sings about not yielding to your soul when the devil gets weak. What?!) and of course Joanna Cotten bringing it as always on his live recordings!
I also love that the city-specific posters that were created for each show serve as the image associated with the songs from that city. I especially like the one below from his Boston show!
I am a little disappointed that he didn’t include the live recording of “Can’t Take It With You” from Philadelphia as I know he performed it there on this tour. Oh well! This collection (so far) also doesn’t include some of the fan favorites from his concerts like “These Boots” and “Pledge Allegiance to the Hag” but considering that there are still 92 songs left to be released, I wouldn’t be surprised if they made an appearance later.
According to the email from Eric Church HQ this morning, “songs included are catalogue and cover songs as well as songs inspired from events that happened while on the road.” Fingers crossed that his performance of “Rusty Cage” in Washington, DC makes the cut!
It’s not clear how often Eric will add songs to this collection (the Facebook post on his page just says “we’ll roll out many more in the weeks ahead”) so I’ll continue to check and see when new songs have been added and try to keep you guys updated, either on here or on Twitter (follow me at beltway_boots if you’re not already.) I’m also curious to see if all 122 songs will be different or if he’ll release the same song a couple of times. I guess we’ll just have to wait and see!
What’s funny is that I almost got rid of Apple Music not too long ago but something inside of me told me to keep it. Always follow your gut instinct, y’all! Apparently mine is very in tune with Eric Church.
I also realized that every post that I’ve done in the “Brand Spankin’ New Music” category (all three of ’em) has been related to Eric Church. Maybe I should just rename it “Brand Spankin’ New Church Music.” I probably wont.
Currently listening to: Eric Church’s “61 Days in Church!” Duh!
I hope everyone is having a great Sunday catching up with all of their Church friends! I’ve been catching up with some of my favorite people that I’ve met through Church and wanted to introduce y’all to some of these guys. These are all friends that I’ve met through Church, or rather, in Eric Church songs. If it hadn’t been for Church, me and these friends might’ve never met!
Without further ado, let’s get the introductions started!
My Friend Danny
On Mr. Misunderstood On the Rocks Live & (Mostly) Unplugged, Eric’s live album from his shows at Red Rocks Amphitheatre last summer, he includes a version of “Mistress Named Music,” which is the “Mistress Named Music-Red Rocks Medley.” In the middle of this song, he breaks out into Bob Seger, Loggins and Messina, Little Feat, Billy Joel, and George Strait, turning this song into an almost nine minute long medley with his musical idols weaved into the middle of it. One of the songs that he sings is “Danny’s Song” by Loggins and Messina off of their Sittin’ In album. Even though Eric only sings the chorus in this song, it was enough to make me wanna find the whole song. I instantly fell in love with this song and am so thankful that Danny (and his song) are now a part of my life.
It was also in this song that I met Lowell George, Bill Payne, Roy Estrada, and Richie Hayward aka the guys of Little Feat. Together me and these guys have gone from Tucson to Tucumcari, Tehachapi to Tonapah- the places mentioned in their song “Willin‘,” which Eric also sings in this medley.
My Voodoo Queen Friend Marie Laveau
In “Devil, Devil (Prelude: Princess of Darkness)” Eric references Bobby Bare and it was through this song that he and I first met. And as Church connections usually go, Bobby Bare then introduced me to Marie Laveau. Now I’m not one to partake in Church gossip, but if I was, Marie Laveau would definitely be at the center of it. I mean, after all, she’s a voodoo queen who casts spells on men and makes them disappear. While she may be the topic of Church gossip, we could all use a friend who possesses the power to make people disappear, so I’m keeping her around!
My Red Headed Stranger Friend
It was at Church that I met a red headed stranger from Blue Rock, Montana. Over time, this stranger and I have become quite good friends and I’m happy to say that he’s no longer a stranger (nor a redhead as he’s mostly grey these days). The friend I’m talking about is none other than Willie Nelson. His album, “Red Headed Stranger” is one that Eric rediscovers during his “Record Year,” while also getting down with some James Brown. I can’t remember a time in my life when I didn’t know who was Willie Nelson was but learning about his discography, and specifically about the Red Headed Stranger album, was something that came from Church. If I could offer one piece of advice for getting to know my Red Headed Stranger friend, it would be “don’t cross him [and] don’t boss him!”
Eric also sings about New Grass Revival in “Record Year.” Apparently, I had found them years ago in the form of Garth Brooks’ “Callin’ Baton Rouge” and just didn’t know it. This is one of my favorite Garth songs (the live version, especially!) but I gotta give credit where credit is due because if it weren’t for NGR this song wouldn’t exist.
“Now, your buddies get their rocks off on Top 40 radio
But you love your daddy’s vinyl, old-time rock and roll
Elvis Costello, Ray Wylie Hubbard, and think Jeff Tweedy
Is one bad mother”
I wrote about Ray Wylie Hubbard in my post about finding the devil through Church. Ironically, he’s been one of my favorite people I’ve met through Church. Hubbard was mentioned in “Mr. Misunderstood” along with Elvis Costello and Jeff Tweedy. Of course I knew who Elvis Costello was before Eric name dropped him in “Mr. Misunderstood,” but despite knowing who he was, I never gave him much attention, that was until Eric convinced me to give him a fair chance. The first Elvis Costello song that I really came to like was “A Good Year for the Roses.” After looking this song up, it was easy to see why I liked this song so much- it was originally a country song, first sang by George Jones. From Church to Costello to The Possum, the connections I’ve made through Church have been endless!
While I’m still not sure if Jeff Tweedy is really one bad mother, I’ve been trying my hardest to get into Wilco, which has been Tweedy’s band since 1994. One Wilco song I’ve found that I really like is “Jesus, etc.” (fitting for Church, right?) It’s been said that Eric’s “Mr. Misunderstood” resembles a 1996 song from Wilco titled, “Misunderstood” in that it “matches a touch of melody and tempo” and shares themes found in this song. If Jeff Tweedy was the inspiration behind “Mr. Misunderstood,” then I guess he really is one bad mother.
I’m happy to have Tweedy join my group of misunderstood Church friends along with Costello and Hubbard. After all, Church is supposed to be about inclusion, right?
Are You Sure Eric Done It This Way?
Eric’s Carolina album includes the song, “Lotta Boot Left to Fill,” in which he sings, “I don’t think Waylon done it this way, And if he was here he’d say Hoss neither did Hank.” This line is inspired by a Waylon Jennings song, “Are You Sure Hank Done It This Way.” In these two songs, Waylon and Eric are each critical of the state of country music at the time of their writing and wonder about how their idols did things in their time. For Waylon, it was Hank Williams and for Eric it was Waylon Jennings that set the gold standard on how things should be done. I have no doubt that this song played a huge role in my love of Waylon Jennings that started years ago as it began around the same time that I saw Eric perform this song in concert back in 2011. Out of all of my Church friends, I’d have to say that Waylon and I are the closest. I mean, after all, ladies do love outlaws!
There’s already a song about about Eric’s music (Marc Leach’s “She Don’t Go To Church,” which I wrote about here) and I wouldn’t be surprised if years from now someone is singing, “Are You Sure Eric Done It This Way?”
That’s How I Got to Tom T. Hall, Bobby Bare, and Whitey Morgan
I mentioned in my post about Eric’s live performances that he often plays a song specific to the city that he’s in when he’s on tour. So when Eric performed in Southaven, Mississippi, which is just minutes outside of Memphis, it only made sense that “That’s How I Got to Memphis” was on the setlist. Originally sung by Tom T. Hall, this song has been covered byBobby Bare, Whitey Morgan, Roseanne Cash, The Avett Brothers, Buddy Miller, and many others. I’m not sure how these guys got there, but Eric Church is how I got to Memphis. He’s also how I made some friends named Tom T. Hall, Bobby Bare, and Whitey Morgan.
Meeting Friends through Church Recommendations
It hasn’t just been through his music that Eric has turned me on to new artists but also through his recommendations. In an interview Eric did with Bobby Bones three years ago (that I watched on YouTube in London- before I even knew who Bobby Bones was), Bobby asked what artists Eric liked and he gave the names Amos Lee and Brandy Clark. Immediately after, I gave each of these artists a listen and became fans of both. To this day, Amos Lee’s “Chill In the Air” is still one of my all-time favorite songs. I also found Brandy Clark’s “Stripes” which led me to her first album, 12 Stories. A few months later, after I had returned from London, Brandy was the opening act at an Eric Church concert that I attended and I made sure to meet her and get her autograph that night. My only regret about doing this was that I practically missed all of Dwight Yoakam’s performance while I was waiting in line to meet her. Sorry, Dwight!
Amos and Brandy are two examples of friends that I didn’t necessarily meet through Church but rather because Church recommended them to me.
Church Friends Ain’t Just for Sunday Mornings
I knew that going to Church was good for you but I never knew it could lead to so many great friendships! Just look at all the awesome people I’ve added to my friends circle because of Church!
Though these might be my Church friends, I prefer seeing them on Friday nights, not Sunday mornings, so this coming Friday (8/18), I’ll be going to see Ray Wylie Hubbard at Hill Country BBQ in Washington, DC. Come on out if you’re in the area!
I finally got myself back to Church on a Sunday! I’m sorry for the not-so-great church attendance these past few Sundays- I’ll be sure to drop an extra $20 in the offering plate today to make up for it!
This month, two of Eric’s albums celebrated anniversaries. Eric’s freshman album Sinners Like Me celebrated its eleventh anniversary and Chief, his third album, celebrated its sixth anniversary. This Sunday, especially since I’m feeling like quite the sinner with my poor Church attendance, I’m gonna focus on the album that started it all, Sinners Like Me.
A Good First Impression
They say you only get one chance to make a first impression and boy did Eric make an unforgettable one with Sinners Like Me. With his first album, Eric made sure to include songs that show his range as an artist- from concert favorites like “Pledge Allegiance to the Hag” and “These Boots” to serious songs like “The Hard Way;” from great storytelling songs like “Lightning” to songs that make you grin like “Two Pink Lines.” This is also the album that contains my all-time favorite Church hymn- “Can’t Take It With You” (which I discuss in detail here.)As you make your way through the twelve tracks on this album you really get a sense of who Eric is not only as a songwriter and an artist, but as a person. For many of us, this album was the reason we started going to Church.
The singles that came from this album were “How ‘Bout You,” “Two Pink Lines,” “Guys Like Me,” and “Sinners Like Me,” the title track. The first single, “How ‘Bout You” was the first Eric Church song I remember hearing on the radio. In this song, Eric let us know right off the bat exactly who he was. In regards to his style, he sang, “I don’t need baggy clothes, or rings in my nose to be cool” and when it came to his blue collar work ethic he let us know that he “ain’t got no blue-blood trust fund [he] can dip into.” He was confident in knowing who he was and made sure everyone else knew it too. He also made you think about the kind of person that you are by repeatedly asking, “how ’bout you?” Well, Eric, my nose ain’t pierced and I don’t have a trust fund either so I guess that makes us both a part of the chosen few! I’m sure I’m not alone in saying that this song was my first introduction to Eric Church and for that reason it holds a special place in my heart.
“I know where I come from How ’bout you? I don’t need baggy clothes, Or rings in my nose to be cool. The scars on my knuckles, Match these scuffs on these cowboy boots. An’ there’s a whole lot more like me How ’bout you?“
It wouldn’t be Church if we didn’t talk about sinning now would it? In the album’s title track, “Sinners Like Me,” Eric sings about coming from a long of sinners just like himself. However, being a sinner isn’t just a trait that runs in the Church family because, as he sings in this song, when he dies he’ll find himself standing in a long line of sinners just like him. Thank goodness there’s Church for all those sinners to go to on Sundays!
The pinnacle song on this album is “Lightning,” the album’s only song written solely by Eric. This song is so important because it was this song that earned Eric his publishing deal, which should come as no surprise as you listen to its lyrics. “Lightning” is everything that a storytelling country song should be and it serves as a testament to Eric’s talent as a songwriter. It takes someone truly talented to put into song the final thoughts of a man awaiting his death while sitting in an electric chair. Eric manages to do just that in about five minutes time. In fact, Eric manages to capture this death row inmate’s life in song form so well that it was featured on Rolling Stone’s list of 17 Country Songs That Would Make Great Movies. RS lists Bryan Cranston as the suggested actor who should play the death row inmate in that movie. Now that’s a movie that I would definitely pay to see! Until that movie gets made, I’ll just keep watching the music video (check out Eric with his long hair!!)
Other songs featured on this album include “What I Almost Was,” “Livin’ Part of Life,” and “Before She Does.” Eric still plays some of these songs from time to time at his concerts, showing that the impression this album left on his fans is one long enough to last eleven years (and I’m sure many more to come!)
I Pledge Allegiance to “The Hag”
The most impressive thing about this album, in my opinion, is that Merle Haggard sings on the song that was written about him- “Pledge Allegiance To The Hag.” The fact that the greatest country artist of all time (this is a fact, not an opinion) sang on Eric Church’s very first album says a great deal about what The Hag must’ve thought about Eric and his music. If there’s one artist that deserves a song about having allegiance pledged to them, it’s Merle. And if any artist should get the honor of singing that song, it’s Eric Church!
Sins and Blasphemy
I’ve heard that an artist’s first album is usually their best because they have their whole life to write it, whereas the albums that come after that are usually written in a much shorter time frame, meaning they’re often not as good. Although Sinners Like Me is a great album, I don’t think that’s true for Eric. Each of his five albums (so far) are so different from one another and they are all great in their own individual way. His albums aren’t just a collection of singles, they’re albums, meant to be listened to as such. To say that one of his albums is better than another would be blasphemy, something we definitely don’t wanna do at Church!
I’m still playing Sinners Like Me eleven years after it was released and I’m sure I’ll still be playing it for years to come. It’s probably because I like my country rockin’. How ’bout you?