April Concert Roundup

A Month of Firsts

April has been a crazy month- from my 28th birthday, to work events, to spending time with friends, it’s been a busy month. And in the midst of all the craziness of a wedding (not mine), a baby shower (also not mine), and birthday celebrations (those were mine), I also attended five concerts in April. This month was a month of many firsts- all five of the concerts were for artists that I’d never seen before and four of the venues were places I’d never been before. April also saw my first mechanical bull ride, first Jewish wedding, and first time taking part in Record Store Day (shout out to me for scoring the Eric Church RSD release!) With the constant busyness of life, I need to remind myself that being busy is a blessing- it means I’ve got a job, I’ve got friends, and I’ve got interests that I’m able to pursue. Interests like the many live music events that I get to attend, like the ones below!

Dom Flemons Duo- Pearl Street Warehouse (April 4th) 

April 4th, 2018 marked several firsts for me: my first time at the Wharf, my first time at Pearl Street Warehouse, my first time seeing Dom Flemons, and my first time seeing someone play the bones. Yes, the bones. It’s an actual musical instrument and Dom played them for us that night. There were also some for sale at the merchandise table. You might know Dom from his former band, the Carolina Chocolate Drops, which he was in with Rhiannon Giddens. For his CD release that night, Dom performed some tunes from his new album Black Cowboys. He also did an interview on stage for the Smithsonian (Smithsonian Folkways, maybe? I don’t remember) where he discussed some of the songs and the history behind them. This man knows his stuff and is an exceptionally talented musician and singer too!

Featured song: Caroline Chocolate Drops- “Hit ‘Em Up Style” (no, Dom didn’t play this for us that night but who doesn’t love a Blu Cantrell cover??)

Colter Wall- U Street Music Hall (April 7th) 

The devil might wear a suit and tie but Colter Wall wears deeply unbuttoned shirts. Well, at least he was at his show at U Street Music Hall on April 7th. Since I reference this song, I’ll get my complaining out of the way- Colter Wall didn’t play “The Devil Wears a Suit and Tie.” When my friend asked him why after the show he said they were rushing him off. That’s understandable, especially since there was a 10:30 p.m. show after his. But still. How do you not perform one of your top songs? I won’t dwell on this too much especially since he did play some of his other hits including “Sleeping on the Blacktop” and “Motorcycle.” He was also hanging around after the show by his van and agreed to take pictures with his fans (see mine below), which was cool!

Just a few quick words on Colter Wall that have nothing to do with his performance. For me, Colter’s music brings to mind the artists and songs of country past- his song “Thirteen Silver Dollars” could be inspired by Emmylou Harris, the “Queen of the Silver Dollar,” as he makes a reference to having a “belly full of baby’s bluebird wine” (if you don’t get the reference, she has a song called “Bluebird Wine.”) He also makes a “Blue Yodel No. 9” reference in this song. Then there’s “Sleeping on the Blacktop,” which, in my opinion, sounds similar to Johnny Cash’s “God’s Gonna Cut You Down.” His song “Fraulein” is also a cover song, which was written in 1957 by Lawton Williams and first sung by Bobby Helms. Townes Van Zandt also did a cover of this song. It gives me hope that there are country artists out there who are able to pull from the sounds of the past and bring them into the present. Colter Wall is definitely one of those artists.

After the show, it was brought up by one of the people that I attended the show with that his murder ballad “Kate McCannon,” one of his most famous songs, promotes violence against women. That really got me thinking. Where do we draw the line between what we support in real life and what we’re willing to accept in our music? Late last month I participated in the March for Our Lives and yet a few weeks later I’m listening to Colter Wall singing about putting three rounds into a cheating Kate McCannon. Listening to, and even liking, songs that go against my own personal beliefs is an issue I struggle with. This is especially the case with country music- a genre that often glorifies things that I do not support in my personal life. The killing of one’s spouse is not a theme reserved solely for the men though as women also kill their husbands in country songs. This led to a discussion about the songs in country music where women are the the ones killing their spouses. Songs like Garth Brooks’ “The Thunder Rolls” and the Dixie Chicks’ “Goodbye Earl” being two of the first examples that came to mind. Is a woman killing her abusive husband more acceptable than a man killing his cheating wife? I won’t get into that here since this is just a concert write-up but I think a post dedicated to this topic is worth writing at some point. I’ll hopefully get around to writing that at some point.

wall
Colter Wall and I (April 7, 2018)

Featured song: Colter Wall- “The Devil Wears a Suit and Tie” (because he didn’t play it that night!)

Ruby Boots- Songbyrd Music House and Record Cafe (April 10th) 

The show at Songbyrd on April 10th was super intimate. For the most part it was just Ruby Boots and her friend on stage playing guitar and electric guitar then later in the night it was just a solo Ruby Boots. No drummer, no fiddler, just Ruby and her mate (she’s Australian so I said mate). While I wish more people had come out to support her, having a small group there was nice. Ruby Boots was cracking jokes and telling stories, including one about Bill Murray. She also mentioned that she’s friends with Nikki Lane, who I love. I bet hanging out with these two would be so much fun! It was a real treat getting to hear about Ruby Boots’ personal life and the stories behind some of the songs. I’m not sure if she would have been as engaged with the crowd had there been a large group there. I also love her Australian accent! Aussies rule, mate!

One joke she made was about her new album. She told us that the album is titled Don’t Talk About It, “so don’t tell anybody!” Well, I am telling people- sorry! In addition to singing songs from Don’t Talk About It as well as some of her older songs, she also sang a Tom Petty song and even came off the stage out into the audience with her friend, leaving the guitars behind, to sing an acoustic version of Lucinda Williams’ “Jackson.”

I hope Ruby Boots had fun at Madam’s Organ after the show!

Featured song: Ruby Boots- “It’s So Cruel”

Lindi Ortega and Hugh Masterson- Union Stage (April 24th) 

There’s a great press quote that describes how Lindi Ortega should be onstage- “fun and frightening.” Though I wasn’t really scared at her show, I can understand how she earned this description as some of her songs carry dark themes. Lindi told a story about wanting to sing her song about dying and her guitar player responded with, “Which one? You’ve got six.” I think this anecdote sheds light on the “frightening” side of Lindi. However, it’s the “fun” part (and her shiny red boots) that the fans show up for. Her latest album Liberty is a spaghetti western-esque concept album which follows a character from a dark place in their life to a more happy place at the album’s end. Lindi made sure to play some of the songs from the end of the album (the happy part) to balance out her “frightening” persona. This included songs like “Lovers in Love,” “In the Clear,” and the Spanish song from the album, “Gracias a La Vida.” She also played my favorite song of hers, “Ashes.”

Lindi Ortega and I (April 24, 2018)

Her opening act was someone I had maybe heard of before but had never really listened to. Well, shame on me! Hugh Masterson was really good- not only did I enjoy hearing him sing his songs but his stories in between the songs were funny and helped to counteract the seriousness of his songs’ content. It’s all about that balance!

Featured song: Lindi Ortega- “Afraid of the Dark.” I’ll include this song here because I do like the dark stuff. As Lindi sings, “Don’t get any closer to my heart if you’re afraid of the dark.” Yeah, same.

Sarah Shook & the Disarmers and Zephaniah O’Hora- Pearl Street Warehouse (April 26th) 

Sarah Shook has me all shook up, y’all! I’ll admit that before the show I was so intimidated by this chick. But seeing her on stage and hearing her talk with the audience in between every song, I’m no longer intimidated, as she seems to be really chill and friendly. Actually, the whole band seems to be. Except Kevin- he’s a prima donna (that’s an inside joke only people at the show will get. Sorry, Kevin!) Sarah and her band, the Disarmers, rocked Pearl Street Warehouse on April 26th, which happened to be the first night of their tour. Their songs have an upbeat sound that make lyrics like “I can’t cry myself to sleep so I drink myself to death/I got cocaine in my bloodstream and whiskey on my breath/Ain’t a thing that I can change to get my luck up/I guess I’m just too much of a fuck up” make you wanna get up out your seat and sing along! Her lyrics are raw with lines like “the bottle never lets me down the way you do” and “there’s a hole in my heart ain’t nothin’ here can fill/ But I just keep thinkin’ surely the whiskey will.” Though these lyrics might pack a punch, they’re also served up with a heavy dose of reality thanks to their honesty and Sarah’s delivery. She almost makes you think that you can make it up to mama by getting that “mother-heart tattoo.”

Her opener, Zephaniah O’Hora (yes, his actual name) wasn’t half bad either! I especially liked his song “High Class City Girl from the Country.” He’s from Brooklyn, which I find to be really interesting. This guy goes to show that country really is country wide!

Sarah Shook and the Disarmers (April 26, 2018)

Featured song: Sarah Shook and the Disarmers- “Dwight Yoakam” (is Dwight Yoakam really that anxious??)

Upcoming Concerts (* means tickets are already purchased) 

5/18- The Weight Band feat. members of The Band, Levon Helm Band, & Rick Danko Group at The Hamilton
*5/20- Brandi Carlile at The Anthem
*5/29- Justin Townes Earle- Solo Tour at The Birchmere
*6/1
– Margo Price and John Prine at Wolf Trap
*6/8- The Steel Woods at Jammin’ Java
*6/29- Turnpike Troubadours and Charley Crockett at Friday Cheers (Richmond, VA)
*7/21
– Ray Wylie Hubbard at City Winery
7/24- Jason Isbell and The 400 Unit at Wolf Trap
8/2– Amanda Shires and Sean Rowe at The Birchmere
10/13- Chris Stapleton’s All-American Road Show at Jiffy Lube Live

Currently listening to: Jade Bird- “Lottery.” I felt so bad for missing her set when she opened for Colter Wall so I felt it would only be right to mention her here!

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New Year, New Music, New Me

Happy Almost 2018, y’all! This post is coming to ya from Nashville where I’ll be celebrating New Year’s Eve!

Be sure to grab your popcorn, hot cocoa, or whiskey (no judgement), and get ready for a long post! Enjoy! 

The Good, The Bad, and the 2017

It’s no secret that 2017 sucked in a lot of ways- Donald Trump was inaugurated and allowed to make decisions that affect our lives, we lost Tom Petty, Don Williams, and Troy Gentry, Donald J. Trump became president, hurricanes devastated Puerto Rico and American cities like Houston, and Donald Trump moved into the White House. BUUTTTTT, this year hasn’t been all bad, especially since this is the year that I really found myself, musically speaking.

When I think about my taste in music and (lack of) knowledge of country music at the beginning of 2017 compared to the end of 2017, it’s like comparing night and day. In the latter half of this year, I really found my musical niche and refined my musical interests. I have this blog to thank for that. Had I not started writing this blog back in June, I’m not sure that I would’ve ever found some of my now favorite artists. I also never knew that I was a fan of Americana music and find myself identifying with the music from this genre more than any other these days. When I finally learned about Americana and all of the artists that are a part of the Americana family, everything clicked into place- this was the musical home I had been searching for. This is where I belonged.

2017 Finds 

While some bloggers have been making their top albums/songs lists for 2017, I didn’t want to do that. Since so much of the music I found this year has been around for a while, only focusing on the stuff from 2017 would be silly. Instead, I’m gonna focus on all of the great artists who came into my life this year.

Have you ever met someone and felt like you’ve known them your entire life? You wonder how you two went so long without meeting and now that you’ve met, you know you’ll be friends for life. Well that’s how I feel about some of the musical artists I discovered this year. I think about how much better my life would’ve been with their songs to guide me through years ago. But instead of dwelling on the past and missed years, I’ll vow to keep playing their music for the rest of my life. This includes artists like Margo Price. She has been one of my greatest finds of 2017. I’ll do an essay on her later (inspired by the book Woman Walk the Line: How the Women in Country Music Changed Our Lives), where I’ll dive deeper into how much of an inspiration she has been to me. Just as I had fallen in love with her first album, Midwest Farmer’s Daughter, she released her sophomore album, All American Made in October of this year. What I love about Margo, and her most recent album in particular, is that she sings about political issues like the pay gap and the Iran-Contra Scandal (throwback to the Reagan years!). She’s outspoken about her political views and doesn’t care about losing fans because of it. The world could use more Margos and country music needs more Margos!

Even though I already knew Sturgill Simpson before this year, I didn’t really know him. One day I felt compelled to listen to A Sailor’s Guide to Earth. The rest was history. In just six short months, I managed to fall in love with and immerse myself in Sturgill’s music, see him in concert, and purchase all of his albums on vinyl. In fact, he was my top played artist of 2017, according to Spotify. If you’ve talked to me at all these past few months, I’ve probably manged to name drop him at least once. Hopefully you all were listening to me and then decided to check out “The Sturge” for yourself! What I love about him is that he makes a record when he has something to say, not just to stay relevant. He wants to make records that people will still be playing 30 years from now. You don’t make records that stand the test of time by putting out album after album with nothing of substance on them. And if I have to wait ten years for another Sturgill Simpson record, I’m happy to do it. It’ll probably be the best damn album of all time!

“I’m just trying to constantly improve and become a better artist and then hopefully make records that people—I mean it’s great if they buy them today—but I’m more interested in making records that maybe people will still talk about in 30 years. That’s the goal for me. You can go crazy if you let yourself think, “How do I remain relevant?” or you can just go and try to make great music and the fans will react to it and it takes care of itself.”
-“The Final Interview with Sturgill Simspon, According to Sturgill Simpson,” Noisey, November 30, 2017

I don’t remember what the first Jason Isbell song was that I listened to (maybe “Elephant?” or “Speed Trap Town?”) but I’m eternally grateful that the universe pointed me in his direction and had me press play. In a “Walking the Floor with Chris Shiflett” podcast interview with Jason, Chris brought up the fact that Jason is considered by some to be the “go to reference guy for songwriters in Nashville.” Just listen to one of his songs and it’s easy to see why. Though I’m glad it’s a part of my life now, I think about how useful a song like “Traveling Alone” could have been to me years ago. While Jason’s songs may not have had the opportunity to have been part of my past, they’re very much a part of my present, and I’m already making plans for them to be a part of my future. IF (please note this is both in bold and italics) I ever get married, I already know that “If We Were Vampires” will be on the playlist.

Something that the three artists mentioned above have in common is their politics. If you follow Margo Price and Jason Isbell on Twitter, you know how they feel about current events. And just last month, Sturgill Simpson decided to busk (verb; meaning to play music or otherwise perform for voluntary donations in the street or in subways) outside of the CMA Awards and talked crap about Donald Trump.

Sturgill Simpson busking outside of the CMA Awards on November 7, 2017. All donations went to the ACLU. (Picture from Rolling Stone)

Another artist that I discovered this year is Cody Jinks. According to Spotify’s calculations, Cody’s song “Loud and Heavy” was my most played song this year (Sturgill’s “Sea Stories” was second). Unlike the artists mentioned above, Cody Jinks is less Americana and more actual country. To me, he’s what real country music should sound like. Instead of calling country that ventures from the mainstream terms like “alt-country,” I think we should be calling the mainstream stuff a different name. After all, they’re the ones who have done more to change the music from its original sound, not guys like Cody Jinks who have a more authentic country sound. Some people might call Cody’s Texas county or “Red Dirt” country. While “Loud and Heavy” may have been my most played song this past year, it was “Somewhere in the Middle” and its simple message that being “somewhere in the middle is just fine” that resonated most with me. And if Cody finds himself somewhere in the middle of Texas “Red Dirt” country and alt-country, well, that’s just fine!

John Prine is pretty good!” At least that’s what one of the stickers I purchased at this concert back in November says. But if you ask me, I think John Prine is really good! If writing songs is a craft like woodworking then John makes songs like the best cedar chest you’ve ever laid your eyes on. When I listen to his songs, I’m always impressed at how clever he is. In fact, one of my favorite lyrics of any song ever comes from a John Prine song. The song is “Spanish Pipedream” and the line is “I knew that topless lady had something up her sleeve.” I’ll say that line is pretty good!

While the five artists featured above really won me over this year, there were plenty more that also found their way into my heart. This year’s honorable mentions (who are not all country, not all Americana, but all pretty dang good) include: Dan Auerbach, Kurt Vile and Courtney Barnett (wait! Am I also now a fan of Indie music? Who am I even?), Lori McKenna, Tyler Childers, Ray Wylie Hubbard, Lukas Nelson & Promise of the Real, Ashley Monroe, Angaleena Presley, Nikki Lane, Aaron Lee TasjanSam Outlaw, Nathaniel Rateliff & The Night Sweats, and Paul Cauthen.

A New Appreciation for the Old Stuff

It wasn’t just finding new artists that made this past year so exciting but it was also rediscovering artists from my past, learning more about country music legends, and gaining a deeper appreciation for the trailblazers who made all of this possible. One of those people is Jerry Reed. The man is a national treasure we should all be thankful that Jerry Reed songs exist. His songs are a surefire way to put a smile on my face. The Oak Ridge Boys are another example of feel good country music that I got into this year. And don’t forget Bobby Bare too! 2017 is also the year that I fell in love with Emmylou Harris. Her Pieces of the Sky album is the first brand new (not used from a record store) record I ever bought, which also took place this year. Fun fact about this lady is that she was discovered in DC by Gram Parsons- at Clyde’s in Georgetown.

This year also saw my love of Waylon Jennings grow deeper as I explored more of his music. Some other classic artists that I spent time getting to know better this year include Merle Haggard, Willie Nelson, and Dolly Parton. 

I’ve always loved her but this year I seemed to love Kacey Musgraves even more! Maybe it was because I realized how little credit she gets. She sings backup vocals for some of the bigger stars (Zac Brown Band’s “All the Best” and Dierks Bentley’s “Bourbon in Kentucky“) and does duets (Josh Abbot Band’s “Oh Tonight“), which is fine, but I really wish she got more credit for her solo stuff. To celebrate her, I’ve created a “A Very Kacey Playlist” on Spotify for her. She also has an album coming out early next year, Golden Hour, which I am stoked for! My appreciation and respect for Miranda Lambert also grew this year, which can be credited to her album The Weight of These Wings from 2016. There’s also been talk about a new Pistol Annies album, which can’t get here fast enough!

A Year of Concerts

This year my list of concerts attended grew substantially. Some of these concerts were for artists whose names I didn’t even know at the start of this year. People (who I’m embarrassed to say I didn’t know sooner) like Ray Wylie Hubbard, John Prine, Lukas Nelson & Promise of the Real, and Nikki Lane. I even attended my first all-day music festival in Camden, NJ this year when I drove up for the Outlaw Music Festival. It was there that I got to see Willie Nelson for the first time and Eric Church for the seventh time. Other concerts that I attended this year included Sturgill Simpson, two different nights on Eric Church’s “Holdin’ My Own” tour (Pittsburgh and Washington, DC), and Mashrou’ Leila (a Lebanese band that has nothing to do with the rest of this post but they’re amazing and I love them!)

One really cool thing that happened to me this year was that I won free front row seats to a John Prine and Dan Auerbach concert at DAR Constitution Hall in Washington, DC. I remember entering the contest for the tickets but I never win anything so I didn’t hold my breath on getting them. Funny thing is that the week leading up to the show I almost bit the bullet and bought a ticket for a nosebleed seat just so I could go. Well, good thing I didn’t, because a couple of days before the show, I got a call letting me know that I had won two tickets for front row seats along with a $50 merchandise voucher. Thanks to that voucher I am now the proud owner of a John Prine poster (painted to look like Ben’s Chili Bowl- a DC landmark) and The Missing Years on vinyl. I didn’t really know Dan Auberbach before that, aside from the fact that he is one half of The Black Keys, but after hearing him perform his solo stuff live, I became a fan. And how was that concert, you ask? “Pretty good, not bad, I can’t complain!” 

John Prine and Dan Auerbach at DAR Constitution Hall on November 10, 2017. (Photo from my crappy iPhone camera)

And since we’re on the topic of cool concert experiences this year, I just want to mention that at Ray Wylie Hubbard‘s concert at Hill Country BBQ in DC this past August, he mentioned the name of this blog while on stage. Now that’s pretty damn cool!

Keeping Up and Catching Up

There are some people out there that listen to every new album that comes out in its entirety and can break down each track while talking about the album as a whole. Many of those people get paid to do just that. I, however, do not. Also, that’s not me. I feel like there’s always new music coming out so I’d just stress myself out trying to do that. It also takes a while for me to really get into songs sometimes. So if it’s two months after an album has come out before I really listen to it, so be it. I’m happy being late to some parties.

With that being said, I do try and listen to some of the new stuff as it comes out when I can. Some great stuff that’s just come out is Neil Young and Promise of the Real‘s The Visitor. This album combines Lukas Nelson’s band Promise of the Real with the iconic Neil Young. The 2016 presidential election is a theme that you can hear on this album in songs like “Already Great.” Why are people trying to make America great again when, as Neil Young says, it’s already great? If I were gonna go back and rewrite my post on liberal country music, this song would definitely be on that list.

Lots of other albums came out this year that I haven’t spent as much time with as I should have- Travis Meadows‘s First Cigarette is one of them. Though I will say that “Long Live Cool” is in fact a cool song. I’ll always have a soft spot in my heart for this guy because he’s the incredibly talented songwriter behind one of my all-time favorite songs- Dierks Bentley’s “Riser.” (He’s also mentioned twice in my post about Eric Church’s songwriting, “Eric Church: An Outsider, A Songwriter,” since he was a co-writer on both “Dark Side” and “Knives of New Orleans.”)

I also liked Chris Stapleton’s “From a Room: Volume 1” but admittedly haven’t given “From a Room: Volume 2” as much attention as it probably deserves. Sorry folks! The same goes for Lee Ann Womack‘s new album The Lonely, The Lonesome & The Gone, whose title track I love but I haven’t really ventured too far past that.

Some artists that I want to spend some more time getting to know better in the coming year are Rhiannon Giddens and Turnpike Troubadours.

Photographs and Memories

If I had to sum up 2017 in one picture, it would be this one:

(Photo from Vinyl Ranch’s Instagram)

I also just wanted an excuse to post this picture!

Looking Ahead to 2018

It’s hard to say what 2018 will hold. Only time will tell what other great artists I’ll find in the coming year. Perhaps I’ll be talking about a completely different genre of music in 365 days. Here’s to hoping that 2018 leads to many new discoveries- both musical and in general!

Here’s to also hoping that Eric Church releases some brand new music next year- that’s not asking for too much, is it?

You can find all of my favorite songs from the artists mentioned in this post on the beltwayboots Spotify account. My “Best of 2017” playlist can be found here.

Currently listening to: All of the great music that I discovered this year!

New to Me: The Tracks I’m Playing (Week of August 7, 2017)

In the two months since I started writing this blog, I’ve learned so much about country music. The fact that I called myself a country music fan just a few short months ago is laughable. As the saying goes, “the more you know, the more you realize how much you don’t know” and that is exactly how I feel about country music. For example, I knew about some of the greatest country singers like Willie, Waylon, and Johnny but I never knew about John Prine or Gram Parsons. I’m now in love with John Prine and think he’s one of the greatest songwriters of all time- I just wish I’d known about him sooner.

There have been some other changes besides just the new music I’m discovering. For example, I no longer listen to the radio. Like practically never. I used to sometimes listen to Bobby Bones on my morning commute but after realizing how many great new artists are out there that he’s not playing, I figured why should I? I also never liked that he didn’t give Eric Church’s songs a lot of play. I’m not sure how much of this is actually Bobby or the higher-ups making the calls but either way, I’m no longer wasting my time listening to the same Jason Aldean and FGL songs continuously playing on a loop. And it’s not just Bobby Bones. You’d be hard pressed, especially in the Washington, DC area, to find a radio station that plays some of today’s best artists- I’m talking Sturgill Simpson, Brandy Clark, Jason Isbell, Margo Price, Cody Jinks, and many others. I used to at least hear Kacey Musgraves on the radio when “Merry Go ‘Round” first came out but now you never hear her. What happened? I am, however, thankful to the few stations that still play the old stuff (Thunder 104.5 in Fredericksburg, VA WHADDUP!) like Waylon and The Oak Ridge Boys so to those stations who are still spinning those old records, I just wanna say thank ya!

Not only am I learning more about country music and discovering new artists and songs in this genre, but in other genres too. I’ve added a bunch of new rock, oldies, hip-hop, etc. to my music collection over these past few months as well.

The fact that I’m constantly learning about new artists and finding new songs that I love means that I’m achieving one of the goals that I set out to accomplish when I started this blog. My love of country music has only grown stronger and I have developed a deeper appreciation for it. Since I typically write about new music in my “The Tracks I’m Playing” posts, I wanted to change it up this week and write about some of the old stuff that I’ve discovered since starting this blog, or rather, the songs that are “new to me.” Here they are!

New Artists 

John Prine- “In Spite of Ourselves.” John Prine knew that the world needed more songs about sniffing someone’s undies and so he gave us this gem. He also knew that people needed to know what Jesus was up to in his missing years so he gave us, “Jesus, The Missing Years.” He also wanted us all to blow up our TV and throw away our paper so he gave us, “Spanish Pipedream.” Finding these songs has truly bettered my life. Now I just need to go blow up my TV and I’ll be all set!

Gram Parsons- “Love Hurts.” So while this song may not be “new to me,” this version of it certainly is. I’ve known the Nazareth cover of this song for years and was a fan after hearing it for the first time in high school during my classic rock discovery phase. Not that these two versions are competing against each other or anything but any version of a song that contains the angelic voice of Emmylou Harris automatically wins out in my book. Gram Parsons also did so much for music, not just country music, that you’d be hard pressed to find a list of most influential country singers that didn’t include him.

New Songs

Merle Haggard- “Sidewalks of Chicago.” I could listen to Merle Haggard sing the phonebook. And I’d probably download that song and listen to it everyday. Merle’s voice has the power to make you feel the emotions behind the song that he is singing. What I love most about this song in particular is the way he goes back and forth between singing and talking. I also love the way he says certain words in this song like “wine” when he talks about how if he buys bread, he can’t afford the wine. By the end of this song, you actually feel sorry for this guy and the fact that he can’t afford both bread and wine.

Willie Nelson- “Shotgun Willie.” Why is Shotgun Willie sitting in his underwear? Why is Shotgun Willie biting on a bullet and pulling out all of his hair? I don’t know and I also really don’t care. This song is great just the way it is- no explanations are needed. Shotgun Willie- you keep doing you!

Waylon Jennings and Jessi Colter- “Honky Tonk Angels.” My all-time favorite country music couple right here, ladies and gentlemen! Any song these two sing together is perfection so of course their version of “Honky Tonk Angels” is gonna be a good one. Even though the original singer of this song was Kitty Wells, Waylon and Jessi made it their own in this performance. Waylon also jokes that Jessi hurt his feelings in this song. Toughen up, Waylon!

Steve Earle- “Guitar Town.” I’m still waiting for a man to tell me that one of these days he’s gonna settle down and take me back with him to the Guitar Town. Just know that when that day comes, I’ll be ready! Whenever I hear this song I just wanna get up and dance though I’m probably not dancing like the folks back in the Guitar Town.

Jerry Reed- “When You’re Hot, You’re Hot.” One of the greatest life lessons can be found in this song- “when you’re hot, you’re hot and when you’re not, you’re not.” Where would be today as a society if Jerry Reed hadn’t come along to teach us this valuable lesson? I don’t even wanna know!

See also: “Amos Moses.” This poor boy’s daddy used to use him as alligator bait! Bless his heart!

Both of these songs serve as examples of Jerry Reed’s ability to have fun with his songs. This man didn’t take himself too seriously and because of that we’ve been gifted with songs like the ones listed above.

Emmylou Harris- “Queen of the Silver Dollar,” “Bluebird Wine,” “Hank and Lefty,” and Boulder to Birmingham.” If you can’t tell, I’m a big fan of the Pieces of the Sky album. And if I could be the queen of anything, it would be the Silver Dollar, as she sings about on this album. As I mentioned above, Emmylou Harris has the voice of an angel. No, really. That’s probably why Gram Parsons included her on his Grievous Angel album that he did with his band “The Fallen Angels.” The man liked to surround himself with angels and Emmylou Harris was no exception. No voice has yet to come along in country music that can rival hers.

The Oak Ridge Boys- “Y’all Come Back SaloonandLeaving Louisiana in the Broad Daylight.” Me and The Oak Ridge Boys go way back, after all, these are the guys who taught another one of life’s most important lessons in country music- “trying to love two women is like a ball a chain.” I’m just gonna have to take their word on that! When they’re not teaching you about the struggles that come with loving multiple women, these guys are singing other great songs like the ones listed above. And of course, let’s not forget about “Elvira.Giddy up oom poppa omm poppa mow mow. 

[9/9/17 update] “Leaving Louisiana in the Broad Daylight” is one of the greatest finds on this list. After finding it about a month ago, I’ve been obsessed! Whenever I need a song to pick me up, I’ll put this on. Or if I’m already feeling good, I’ll put this song on to keep my good mood going strong. Thank you to The Oak Ridge Boys for giving us one hell of a song!

I hope none of y’all are judging me for not knowing these songs and even some of these artists until recently. I’m a firm believer that everything happens for a reason and maybe I wasn’t meant to find these songs until now. Perhaps if I had known about them years ago they wouldn’t have meant as much to me. The important thing is that I know them now!

Currently listening to: John Prine – “Let’s Talk Dirty in Hawaiian.” A language I’m now really regretting never taking the time to learn! I’ve always said that you haven’t really mastered a language until you can talk dirty in it. Actually, this is the first time I’ve ever said that, but I’m gonna start saying it. If you don’t believe me that talking dirty in Hawaiian is an impressive skill, maybe you’ll believe John Prine. Go ahead and give it a listen!