May/Early June Concert Roundup

Another month (and some change) have passed which means it’s time for another concert roundup. While I’m always happy that my favorite artists come through DC, my wallet is not. This year I’ve definitely traded in travel (especially international travel) for music. Though I am traveling to Texas this summer, that trip is highly centered around country music. In fact, I’ll be going to a concert while I’m there- Cody Jinks at Whitewater Amphitheater in New Braunfels, Texas. Cody hasn’t come through DC since I’ve had the great fortune of discovering him so if Cody won’t come to me, I’ll go to him! You can find a full list of upcoming shows that I’ll be attending at the end of this post.

Brandi Carlile- The Anthem (May 20th) 

Brandi Carlile‘s concert on May 20th at The Anthem is one I’ll always remember. It was the last night of her tour (and second night in a row at The Anthem) and she went out with a bang! Her new album By the Way, I Forgive You came out earlier this year and is truly a masterpiece. There are certain songs on this album, like the featured song below, that really resonated with me. This album was co-produced by Shooter Jennings and Dave Cobb so you know it’s good. Seriously, Dave Cobb is the King Midas of music- everything this guy touches turns to gold! Seeing her perform these songs live was an emotional experience to say the least. She started the night with the song on the album that hit me the hardest, “Every Time I Hear That Song,” which really choked me up. The struggle to hold back my waterworks also happened during “The Mother” and “The Joke,” both of which are off her latest album (the line in “The Joke” about carrying your baby on your back through the desert got me good!) And of course she played her most famous song, “The Story,” which would make even a statue get a little emotional. She performed every song from By the Way, I Forgive You and that was just fine by me because it meant I got to hear all of my favorite songs off the album like “Sugartooth” and “Hold Out Your Hand.” And as a new Brandi Carlile fan, this album helped launch me into full throttle fandom!

Some highlights from the night included Pete Souza (former Chief Official White House photographer for Ronald Reagan and Barack Obama) joining her and Darlingside, the opening act, on stage to perform during the encore. Together, they ended the night with “Hold Out Your Hand.” Pete is a big fan, which I already knew from following him on Instagram. Before calling him up on stage, Brandi called Pete “the shadiest mother fucker in DC.” That he is. Also, while singing “Hold Out Your Hand,” the lights came on and you could see everyone in the audience clapping their hands and singing along. One of my favorite things about concerts is when the artists talk with the audience in between songs- I feel like it really gives you a glimpse into their personality. Brandi talked a lot at her show, which I loved. She’s funny and smart and talked about the things that matter most to her like being a mother and her family’s right to exist in this country. She also provided the stories behind some of the songs, like “Fulton County Jane Doe” (that’s an interesting story so look it up if you’ve got the time/inclination). Getting to know Brandi a little better in between her songs was a major highlight of the night!

This past month, the nominees for the Americana Music Honors and Awards were announced and of course Brandi was included in several categories. When the nominees first came out and I saw that Margo Price, Jason Isbell, John Prine, and Brandi Carlile were all nominated for “Artist of the Year,” my first thought was “can there be a four way tie??” Her album is also up for “Album of the Year” and despite being up against The Nashville Sound and All American Made, I can say that Brandi (and this album) deserves this. That’s saying a lot because if you know me you know that Margo Price is my idol and that I absolutely adore Jason Isbell. But guys, her album was THAT good! You can find the full list of nominees here.

Featured song: Brandi Carlisle- “Every Time I Hear That Song”

Willie Nelson and Sturgill Simpson with Cris Jacobs- The Anthem (May 27th) 

I was a little apprehensive going into Sunday night’s show. Willie Nelson was supposed to have performed the night before in Charlotte, NC but instead, after two attempts, he tossed his hat out into the audience, never actually performing. This was apparently due to a stomach bug. Thankfully, Willie had recovered enough by the next night to make it out on stage and play a full set. While I do love me some Willie, the main attraction that night was Sturgill Simpson. It was my second time seeing both Willie and Sturgill as I saw both of them back in September (though they weren’t together, I saw them within two days of each other). Unlike the last time I saw Sturgill, the audience was standing during this show, which I thought made the overall experience a lot better. Who can sit still and listen to Sturgill?! I was also five rows back from the stage (shout out to me for always being early and getting to take advantage of that GA seating!) which meant that I really got to see what was happening on stage (well, aside from the annoying couple in front of me who insisted on holding onto each other the entire set and forming one big person instead of two separate people. Y’all suck!) I also got several compliments on my “Who the Fuck is Sturgill Simpson?” t-shirt! I’m thinking that most people there knew who the fuck he was!

I will say that I was a little disappointed that Sturgill and Willie didn’t play a song together. That would have been such a cool performance to witness. Especially since Sturgill covers a song made famous by Willie on his first album- “I’d Have to Be Crazy.” I’m just happy that Willie, at the ripe old age of 85,  is still willing and able to keep performing. As he sings on his latest album Last Man Standing, “I don’t wanna be the last man standin‘, or wait a minute maybe I do.” We’re happy to have you as the last man, Willie!

The opening act that night, Cris Jacobs, was from Baltimore (though two members of the group were from Richmond, VA). I had listened to them a little bit in preparation for that night and really like their sound. A couple songs of theirs worth checking out are “Jack the Whistle and the Hammer” and “The Devil or Jesse James.”

Now that I’ve attended two shows at The Anthem (within a week of each other), I want to say a quick word about this venue because it’s pretty dang cool! I like that the concession stands are in the same room as the performance so you don’t have to worry about missing your favorite song if you get up to grab a drink. I only stayed on the first level though so next time I’m there I’ll be sure to check out the upper levels and give you all a full report.

Featured song: Sturgill Simpson- “Brace For Impact (Live A Little)”

Justin Townes Earle with Lilly Hiatt- The Birchmere (May 29th) 

When I first bought tickets to this show I must not have realized that Lilly Hiatt was also performing. After realizing it much later, I was pleasantly surprised to see her name on the lineup. With the release of her latest album Trinity Lane, I had gotten into Lilly’s music and really taken a liken to her. Getting to see both her and Justin Townes Earle made for a really special night!

Since this was a solo show, both of them played with just their guitar and microphone alone on stage. There were no bands and no big production, which made for an intimate show. And it was at The Birchmere in Alexandria- a cool venue with posters of past performers, like Waylon Jennings and Steve Earle (Justin’s dad!), decorating the hallway. You can also sit down and eat during the show. Warning: if you get the fish tacos, they are messy!

If we’re being honest, I liked Justin’s stories and commentary more than the music portion of the night. What’s great about small venues like The Birchmere is that artists feel more comfortable talking with the audience. The fact that this was a solo show also helped in that regard. I’m glad Justin felt comfortable enough to talk with us because he shared some crazy stories about his past (and also provided BBQ recommendations if you’re ever in Memphis). Sitting close to the stage at a solo show is also pretty neat because you get to really see the artist as they’re singing their songs. Justin does this thing where he makes little noises between verses sometimes. While I’m not sure why he does that, I like it. He’s also an incredible guitar player- being able to watch his hands on his guitar as he played each song was something to see! In between stories, Justin did manage to play some songs including his own stuff like “One More Night In Brooklyn” in addition to some blues songs.

What’s cool about both Justin and Lilly is that they’re the children of famous musicians- Justin Townes Earle being the son of Steve Earle and Lilly Hiatt being the daughter of John Hiatt. Justin’s namesake is also the late great Townes Van Zandt. But don’t think these two are just riding on their daddys’ names- they’re talented singers, songwriters, and musicians in their own right.

You can’t be the son of Steve Earle without getting political (check out my post on liberal country music featuring Steve Earle here). And that’s not a bad thing, in fact, we need more Steves and Justins in music now more than ever. Justin brought up the opiate crisis on stage and asked why something is only a crisis when white kids start dying from it. He elaborated on this topic and encouraged us to ask the right questions to people who are dealing with addiction. Instead of asking something insensitive like “what’s wrong with you?” or questions like that why not ask “why do you hurt?” Asking the right questions is a step in the right direction to understanding addiction and the crises that come from it. I’m sure someone in the audience needed to hear Justin’s words that night.

A highlight of the night was meeting Lilly. She was very personable and I loved that she came out after her set and after Justin’s set to greet fans and sign merchandise. I told her that I was going to Margo Price’s show on Friday and she told me to say hi to Margo and that Margo would like me. Though, as expected, I didn’t get the chance to meet Margo at her show a couple of nights later. I also think Margo is way too cool for me! I should also take this opportunity to mention that Lilly is a nominee for “Emerging Artist of the Year” for the Americana Music Honors and Awards. If you haven’t checked out her new album Trinity Lane yet, you need to get on that!

One cool piece of merchandise that I picked up at the show was a cassette tape of Justin’s Kids in the Street album. Problem is I don’t have a cassette player. Even still, it makes for a cool addition to my music collection. While vinyl has been back in style for a while now, I don’t actually see cassettes making a return.

Featured songs: Justin Townes Earle- “Harlem River Blues” and Lilly Hiatt “The Night David Bowie Died”


Margo Price and John Prine- Wolf Trap National Park for the Performing Arts (June 1st)

Because this show was so early in June, I decided to include it in this post. What a night- I got to see Margo Price, who I’ve been a big fan of for quite some time, open up for John Prine, one of my songwriting idols. It was also my first time at Wolf Trap, which is a really beautiful venue.

I’ve been wanting to see Miss Margo Price in concert for quite some time and on Friday night that dream finally game true. When she’s not warning you about the “cocaine cowboys” she’s getting real about politics singing about issues like the pay gap and the Iran-Contra Scandal. (Though she didn’t sing any of those songs on Friday night). She also knows how to kick back and have fun as evidenced in songs like “Hurtin’ (On The Bottle).” I was happy that she performed stuff from her first album Midwest Farmer’s Daughter in addition to her new stuff. Her first album really helped make me a fan of Americana music. She was one of the first artists in that genre that really stood out to me and songs like “Hands of Time” and “How the Mighty Have Fallen” really made an impression on me. Getting to hear her perform “Hands of Time” and “Tennessee Song” that night was something special.

Friday night was my second time seeing the incredible (and one of my favorite singer/songwriters) John Prine live and oh boy was he great! His new album, The Tree of Forgiveness, came out on April 13th. Fun fact: I share a birthday with this album! I feel honored to share this day with such a great album. On The Tree of Forgiveness, Prine proves that he’s still got it (as if there was ever any doubt)! There are so many great songs on this album, adding themselves to the catalog of wonderful songs he has amassed in his lifetime. Songs like the summertime anthem, “Knockin’ On Your Screen Door” and a happy perspective on the afterlife, “When I Get To Heaven.”

The brightest highlight of the night included John and Margo singing “In Spite of Ourselves” together. I had hoped that Prine would seize upon the opportunity of having Margo there and decide to do this duet! Another highlight was Prine talking to the audience. This man is hilarious! A memorable quote of his from the night came right before he played “Your Flag Decal Won’t Get You Into Heaven Anymore.” He said that he wrote that song in 1968 as a political song and it’s still a political song today. But he’ll keep playing it until they get it right! Here’s to hoping that one day John Prine doesn’t have to play this song!

This post is chock full of Americana Music Honors and Awards nominees including both Margo and John. Both are nominated for “Artist of the Year” (along with Brandi Carlile and Jason Isbell). John won last year so I’m not sure what the chances are that he’ll win again, but hey, it’s possible! Margo is also nominated for “Album of the Year” for All American Made and for “Song of the Year” for “A Little Pain.”

Featured songs: John Prine- “Egg and Daughter Nite, Lincoln Nebraska, 1967” and Margo Price- “Hands of Time”

Upcoming Concerts (* means tickets are already purchased)

*6/8- The Steel Woods at Jammin’ Java
*6/29- Turnpike Troubadours and Charley Crockett at Friday Cheers (Richmond, VA)
*6/30– Turnpike Troubadours and Charley Crockett at 9:30 Club (yeah, I’ve got it on here twice. I may skip the Richmond show and go to the DC one but still TBD.)
*7/6- Cody Jinks, Colter Wall, and Ward Davis at Whitewater Amphitheater (New Braunfels, TX)
*7/21– Ray Wylie Hubbard at City Winery DC
7/22– Lori McKenna at City Winery DC
7/24- Jason Isbell and The 400 Unit at Wolf Trap
*7/25- Nikki Lane at Rock & Roll Hotel
7/28– Arctic Monkeys at The Anthem (this show is already sold out but I’m hoping that some cheap ones appear on StubHub)
8/2– Amanda Shires and Sean Rowe at The Birchmere
8/22– Shooter Jennings at City Winery
*9/12– Sarah Shook and the Disarmers at Pearl Street Warehouse
9/28– Jade Bird at Rock & Roll Hotel
10/5– Turnpike Troubadours at Spring Pavilion (Charlottesville, VA)
10/13- Chris Stapleton’s All-American Road Show at Jiffy Lube Live
10/15- Tyler Childers at 9:30 Club

Currently listening to: Dolly Parton- “The Story.” From Cover Stories: Brandi Carlile Celebrates 10 Years of The Story (An Album to Benefit War Child). This album is a charity tribute album featuring various artists like Margo Price, Kris Kristofferson, and of course, Dolly Parton.

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April Concert Roundup

A Month of Firsts

April has been a crazy month- from my 28th birthday, to work events, to spending time with friends, it’s been a busy month. And in the midst of all the craziness of a wedding (not mine), a baby shower (also not mine), and birthday celebrations (those were mine), I also attended five concerts in April. This month was a month of many firsts- all five of the concerts were for artists that I’d never seen before and four of the venues were places I’d never been before. April also saw my first mechanical bull ride, first Jewish wedding, and first time taking part in Record Store Day (shout out to me for scoring the Eric Church RSD release!) With the constant busyness of life, I need to remind myself that being busy is a blessing- it means I’ve got a job, I’ve got friends, and I’ve got interests that I’m able to pursue. Interests like the many live music events that I get to attend, like the ones below!

Dom Flemons Duo- Pearl Street Warehouse (April 4th) 

April 4th, 2018 marked several firsts for me: my first time at the Wharf, my first time at Pearl Street Warehouse, my first time seeing Dom Flemons, and my first time seeing someone play the bones. Yes, the bones. It’s an actual musical instrument and Dom played them for us that night. There were also some for sale at the merchandise table. You might know Dom from his former band, the Carolina Chocolate Drops, which he was in with Rhiannon Giddens. For his CD release that night, Dom performed some tunes from his new album Black Cowboys. He also did an interview on stage for the Smithsonian (Smithsonian Folkways, maybe? I don’t remember) where he discussed some of the songs and the history behind them. This man knows his stuff and is an exceptionally talented musician and singer too!

Featured song: Caroline Chocolate Drops- “Hit ‘Em Up Style” (no, Dom didn’t play this for us that night but who doesn’t love a Blu Cantrell cover??)

Colter Wall- U Street Music Hall (April 7th) 

The devil might wear a suit and tie but Colter Wall wears deeply unbuttoned shirts. Well, at least he was at his show at U Street Music Hall on April 7th. Since I reference this song, I’ll get my complaining out of the way- Colter Wall didn’t play “The Devil Wears a Suit and Tie.” When my friend asked him why after the show he said they were rushing him off. That’s understandable, especially since there was a 10:30 p.m. show after his. But still. How do you not perform one of your top songs? I won’t dwell on this too much especially since he did play some of his other hits including “Sleeping on the Blacktop” and “Motorcycle.” He was also hanging around after the show by his van and agreed to take pictures with his fans (see mine below), which was cool!

Just a few quick words on Colter Wall that have nothing to do with his performance. For me, Colter’s music brings to mind the artists and songs of country past- his song “Thirteen Silver Dollars” could be inspired by Emmylou Harris, the “Queen of the Silver Dollar,” as he makes a reference to having a “belly full of baby’s bluebird wine” (if you don’t get the reference, she has a song called “Bluebird Wine.”) He also makes a “Blue Yodel No. 9” reference in this song. Then there’s “Sleeping on the Blacktop,” which, in my opinion, sounds similar to Johnny Cash’s “God’s Gonna Cut You Down.” His song “Fraulein” is also a cover song, which was written in 1957 by Lawton Williams and first sung by Bobby Helms. Townes Van Zandt also did a cover of this song. It gives me hope that there are country artists out there who are able to pull from the sounds of the past and bring them into the present. Colter Wall is definitely one of those artists.

After the show, it was brought up by one of the people that I attended the show with that his murder ballad “Kate McCannon,” one of his most famous songs, promotes violence against women. That really got me thinking. Where do we draw the line between what we support in real life and what we’re willing to accept in our music? Late last month I participated in the March for Our Lives and yet a few weeks later I’m listening to Colter Wall singing about putting three rounds into a cheating Kate McCannon. Listening to, and even liking, songs that go against my own personal beliefs is an issue I struggle with. This is especially the case with country music- a genre that often glorifies things that I do not support in my personal life. The killing of one’s spouse is not a theme reserved solely for the men though as women also kill their husbands in country songs. This led to a discussion about the songs in country music where women are the the ones killing their spouses. Songs like Garth Brooks’ “The Thunder Rolls” and the Dixie Chicks’ “Goodbye Earl” being two of the first examples that came to mind. Is a woman killing her abusive husband more acceptable than a man killing his cheating wife? I won’t get into that here since this is just a concert write-up but I think a post dedicated to this topic is worth writing at some point. I’ll hopefully get around to writing that at some point.

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Colter Wall and I (April 7, 2018)

Featured song: Colter Wall- “The Devil Wears a Suit and Tie” (because he didn’t play it that night!)

Ruby Boots- Songbyrd Music House and Record Cafe (April 10th) 

The show at Songbyrd on April 10th was super intimate. For the most part it was just Ruby Boots and her friend on stage playing guitar and electric guitar then later in the night it was just a solo Ruby Boots. No drummer, no fiddler, just Ruby and her mate (she’s Australian so I said mate). While I wish more people had come out to support her, having a small group there was nice. Ruby Boots was cracking jokes and telling stories, including one about Bill Murray. She also mentioned that she’s friends with Nikki Lane, who I love. I bet hanging out with these two would be so much fun! It was a real treat getting to hear about Ruby Boots’ personal life and the stories behind some of the songs. I’m not sure if she would have been as engaged with the crowd had there been a large group there. I also love her Australian accent! Aussies rule, mate!

One joke she made was about her new album. She told us that the album is titled Don’t Talk About It, “so don’t tell anybody!” Well, I am telling people- sorry! In addition to singing songs from Don’t Talk About It as well as some of her older songs, she also sang a Tom Petty song and even came off the stage out into the audience with her friend, leaving the guitars behind, to sing an acoustic version of Lucinda Williams’ “Jackson.”

I hope Ruby Boots had fun at Madam’s Organ after the show!

Featured song: Ruby Boots- “It’s So Cruel”

Lindi Ortega and Hugh Masterson- Union Stage (April 24th) 

There’s a great press quote that describes how Lindi Ortega should be onstage- “fun and frightening.” Though I wasn’t really scared at her show, I can understand how she earned this description as some of her songs carry dark themes. Lindi told a story about wanting to sing her song about dying and her guitar player responded with, “Which one? You’ve got six.” I think this anecdote sheds light on the “frightening” side of Lindi. However, it’s the “fun” part (and her shiny red boots) that the fans show up for. Her latest album Liberty is a spaghetti western-esque concept album which follows a character from a dark place in their life to a more happy place at the album’s end. Lindi made sure to play some of the songs from the end of the album (the happy part) to balance out her “frightening” persona. This included songs like “Lovers in Love,” “In the Clear,” and the Spanish song from the album, “Gracias a La Vida.” She also played my favorite song of hers, “Ashes.”

Lindi Ortega and I (April 24, 2018)

Her opening act was someone I had maybe heard of before but had never really listened to. Well, shame on me! Hugh Masterson was really good- not only did I enjoy hearing him sing his songs but his stories in between the songs were funny and helped to counteract the seriousness of his songs’ content. It’s all about that balance!

Featured song: Lindi Ortega- “Afraid of the Dark.” I’ll include this song here because I do like the dark stuff. As Lindi sings, “Don’t get any closer to my heart if you’re afraid of the dark.” Yeah, same.

Sarah Shook & the Disarmers and Zephaniah O’Hora- Pearl Street Warehouse (April 26th) 

Sarah Shook has me all shook up, y’all! I’ll admit that before the show I was so intimidated by this chick. But seeing her on stage and hearing her talk with the audience in between every song, I’m no longer intimidated, as she seems to be really chill and friendly. Actually, the whole band seems to be. Except Kevin- he’s a prima donna (that’s an inside joke only people at the show will get. Sorry, Kevin!) Sarah and her band, the Disarmers, rocked Pearl Street Warehouse on April 26th, which happened to be the first night of their tour. Their songs have an upbeat sound that make lyrics like “I can’t cry myself to sleep so I drink myself to death/I got cocaine in my bloodstream and whiskey on my breath/Ain’t a thing that I can change to get my luck up/I guess I’m just too much of a fuck up” make you wanna get up out your seat and sing along! Her lyrics are raw with lines like “the bottle never lets me down the way you do” and “there’s a hole in my heart ain’t nothin’ here can fill/ But I just keep thinkin’ surely the whiskey will.” Though these lyrics might pack a punch, they’re also served up with a heavy dose of reality thanks to their honesty and Sarah’s delivery. She almost makes you think that you can make it up to mama by getting that “mother-heart tattoo.”

Her opener, Zephaniah O’Hora (yes, his actual name) wasn’t half bad either! I especially liked his song “High Class City Girl from the Country.” He’s from Brooklyn, which I find to be really interesting. This guy goes to show that country really is country wide!

Sarah Shook and the Disarmers (April 26, 2018)

Featured song: Sarah Shook and the Disarmers- “Dwight Yoakam” (is Dwight Yoakam really that anxious??)

Upcoming Concerts (* means tickets are already purchased) 

5/18- The Weight Band feat. members of The Band, Levon Helm Band, & Rick Danko Group at The Hamilton
*5/20- Brandi Carlile at The Anthem
*5/29- Justin Townes Earle- Solo Tour at The Birchmere
*6/1
– Margo Price and John Prine at Wolf Trap
*6/8- The Steel Woods at Jammin’ Java
*6/29- Turnpike Troubadours and Charley Crockett at Friday Cheers (Richmond, VA)
*7/21
– Ray Wylie Hubbard at City Winery
7/24- Jason Isbell and The 400 Unit at Wolf Trap
8/2– Amanda Shires and Sean Rowe at The Birchmere
10/13- Chris Stapleton’s All-American Road Show at Jiffy Lube Live

Currently listening to: Jade Bird- “Lottery.” I felt so bad for missing her set when she opened for Colter Wall so I felt it would only be right to mention her here!

Album Review: Kacey Musgraves- “Golden Hour”

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(Photo courtesy of Stereogum)

It’s finally starting to feel like spring in Washington, DC and Kacey Musgraves’ new album is out today- it really is Good Friday! I’ve been anxiously awaiting Kacey Musgraves’ new album Golden Hour from the moment she announced that it was on its way. With all of the built up anticipation and excitement for this album, I thought this would make the perfect album for my first ever album review. I’ve been trying not to read too much about the new album as I didn’t want other people’s ideas to influence my own. I’ll read some of the other album reviews once this one is posted (like Grady Smith‘s, for example) as I’m curious to know what others thought of the record. 

I’ve been a fan of Kacey Musgraves for several years. The major force that propelled me into full-fledged Kacey fandom was seeing her perform live at “C2C: Country To Country” in London two years ago. The day after that concert, I bought both of her albums on iTunes and they served as the soundtrack to my spring break in England. While I already had a few songs from Same Trailer Different Park in my iTunes catalog, I finished buying up the rest of the album that day along with Pageant Material. 

In the weeks leading up to Golden Hour‘s release, Kacey put out three songs- “Space Cowboy,” “Butterflies,” and “High Horse.” Of these three, “High Horse” was definitely my favorite with its cheeky lyrics and funky disco beat à la the 1970’s. These songs were tasters as they prepared our appetites for the rest of what Kacey would be serving up on this album. 

Oh, What An Album! 

Earlier this week, NPR Music put up the full album for people to stream as a “First Listen“. It was nice not having to wait until today to finally hear this baby in its entirety. My initial reaction to the album was a positive one. And the more I continue to listen to it, the more I fall in love with it. I had heard her sing a little bit of “Oh, What A World” on her Instagram story and was desperately hoping this song would be on the album so that I could hear the full version of it. It was delighted that it was included and I was not disappointed with it. In fact, it’s probably my favorite song on the album (audio video below). The upbeat message of embracing the beautiful things in life (because there is so much ugly out there too) along with the song’s trippy sound really hooked me. Coming in a tie for second place would have to be “Slow Burn” and “Happy & Sad.” “Slow Burn” is the first song on the album and the most autobiographical (watch her performance of this song from last night’s The Late Show with Stephen Colbert). And the more I listen to “Happy & Sad” the more I find myself enjoying it and relating to it. These two are just gonna have to share second place! As much as I enjoy the emotional, introspective, and “all up in your feelings” kinda songs, this album wouldn’t be complete without a dance floor anthem and Kacey’s got that base covered with “High Horse.” Other songs on the album include “Wonder Woman” (no, it’s not about Gal Gadot) and “Rainbow.” Fans who have had the good fortune of hearing her sing “Rainbow” in her live performances will be happy to find this song included. A full track listing is below. 

In typical Kacey fashion, the songwriting on this album is superb- it’s simple yet eloquent. She has a certain way of describing the emotions we all feel in our own unique way in a style that’s universal. “Happy & Sad” is a great example of this as it’s so relatable. Kacey asks, “is there a word for the way that I’m feeling tonight? Happy and Sad at the same time.” Maybe the answer to that question is “human” as I think we all feel this way sometimes. Another great example of her songwriting is seen in “Butterflies.”  While the common expression of “you give me butterflies” is included in the lyrics, the meaning behind the butterfly is much more complex. Someone has finally untangled the strings around her wings so that she can fly, much like a butterfly emerging from its chrysalis. Although I find it hard to believe that Kacey was ever a caterpillar, I’m glad she’s now a butterfly! In “Space Cowboy” we see Kacey engaging in wordplay. This song isn’t about an astronaut John Wayne but rather it’s about giving a cowboy his space. Clever, Kacey! 

A central theme weaving its way throughout this album is love, not just romantic love, but also love of the world (“Oh, What A World“) and love for one’s mother (“Mother“). Kacey finding love and her recent marriage to fellow musician Ruston Kelly may have something to do with the abundance of love flowing through this record. We can hear this in songs like “Love is a Wild Thing,” “Butterflies,” and in the album’s title track, “Golden Hour.” I reckon Ruston Kelly is also her “Velvet Elvis” (she must be his “Velvet Priscilla”).  

This past week, Kacey has been posting sound clips of her songs on Instagram along with short descriptions to go along with the songs. For the song’s first track, “Slow Burn,” she provides some background on the song for her listeners, saying “I was born 6 weeks early. Under 5 lbs. I came on the day of my baby shower. [I always have loved a party] It was the last time I was ever early for anything. SLOW BURN is one of my most auto-biographical songs. And one of my favorites. It was the last one @tronian [Ian Fitchuk] + @thesilverseas [Daniel Tashian] and I wrote and it’s the first song on the new record. Arriving 3/30” And for my favorite, “Oh, What A World,” she says, “I refuse to let the ugliness of the modern world make me forget about the mystery and beauty that surrounds us on a daily basis. OH, WHAT A WORLD was the first song we wrote for the album and it set the sonic pathway I decided to chase. Futurism: meet traditionalism. Vocoder: meet pedal steel and banjo. Full album: meet everyone on 3/30.

On a sonic level, this album is easy on the ears. “Lonely Weekend” sounds like the song you’d want to listen to on a lonely weekend. And “Happy & Sad” has a sound that’s almost familiar, like you’ve maybe heard it before but can’t remember where. I already commented on the “trippy” sound of “Oh, What A World” above and as Kacey says, this song set the “sonic pathway” for the album. Golden Hour’s sound is different from what we heard on her first two albums and that’s not a bad thing AT ALL. Kudos to Kacey for taking a creative leap with these sounds as it paid off in a major way- this is an excellent album- it’s lyrically, sonically, and creatively beautiful! 

If you’re thinking that this album isn’t “country,” you’re right. It’s not a country album, it’s a Kacey album. Even before songs were released from this album, we were told that it would be influenced by the Bee Gees, Sade, and Neil Young.  If the trippy, disco-infused sounds and the clever songwriting found on this album don’t appeal to you then you can hop on your “High Horse” and “giddy up, giddy up and ride straight out of this town!” 

Track Listing:

1. Slow Burn
2. Lonely Weekend
3. Butterflies
4. Oh, What A World
5. Mother
6. Love Is A Wild Thing
7. Space Cowboy
8. Happy & Sad

9. Velvet Elvis
10. Wonder Woman
11. High Horse

12. Golden Hour
13. Rainbow 

Happy Album Release Day, Kacey! Thank you for this beautiful album! I hope your album is getting all of the love it deserves. Don’t forget to check out the new album, along with all of Kacey’s great songs, on my “A Very Kacey Playlist.” 

Currently listening to: This album obviously. Though I should be brushing up on some Dashboard Confessional since I’m seeing them in concert tomorrow night at the Fillmore in Silver Spring. It’s pretty coincidental because Chris Carrabba, the band’s lead singer, was credited as being one of Kacey’s songwriting heroes at an exhibit at the Country Music Hall of Fame and Museum not too long ago. Other songwriters on that list included John Prine (duh!), Loretta Lynn, Roger Miller, Neil Young, Buddy and Julie Miller, and Jim Croce.

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Kacey in front of her songwriting heroes (Photo courtesy of Dashboard Confessional’s Facebook page)

Falling Down a YouTube Hole

Brittany’s Adventures in Musicland

HELP! I’ve fallen into a YouTube hole and I can’t get out! Like Alice, I’ve encountered several interesting characters on my trip, though no hookah smoking caterpillars I’m afraid. My characters have come in the form of musicians and music videos that are expanding my tastes in music. Instead of Wonderland, my adventures are taking place in Musicland. You can find all of the characters I met after my tumble below.

The Dead South- “In Hell I’ll Be In Good Company.” I was just working out in my basement watching Turnpike Troubadours’ music videos (which I’ll get to later) and this video came on and stopped me dead in my tracks. I’m not sure if any burpees or lunges got done while this video was on as I was so captivated by what was on my screen. The video, the sound, the dance, everything about this mesmerized me. I’ve been listening to it consistently over the past few days because it’s been stuck in my head. You try listening to it and not have it do the same! Try not doing the toe-tapping, finger-snapping dance too- I double dog dare ya!

Other songs (and videos) worth checking out from these guys include “Banjo Odyssey” (Find me a better song about cousin loving. You can’t!) and “That Bastard Son.”

What lead me to the opening of this hole was the Turnpike Troubadours. I’ve been getting more into them lately and like many artists, watching them perform can be a way of getting to know their work better. There are some especially good performances on YouTube that serve as examples of this- Colter Wall’s “Kate McCannon” from the Great Western Brewing Brewery Sessions is a fine example of this (though the actual video is good too). You can also learn about songs that aren’t featured on albums this way too like Sturgill Simpson’s “Could You Love Me One More Time” and Tyler Childers and the Food Stamps’ “Messed Up Kid.”

Willie Watson- “Gallows Pole.” Since I mentioned Colter Wall above, I’ll take this opportunity to talk about a video that YouTube played after the “Kate McCannon” official music video just the other day. That video was Willie Watson’s “Gallows Pole.” The sound of this song is so mellow, and the harmonica rifts are so on point, that I couldn’t help but like this song. While folk is a genre that I’m still exploring, I think Willie Watson is an excellent person to follow as I go further down that path. Folk Yeah!

If Turnpike Troubadours’ “Gin, Smoke, Lies” wasn’t one of my favorite songs of theirs, after watching the video for this song, it just might be one of ’em. These guys could arguably be the best band in country music right now. While they don’t have too many music videos (they actually only have two official ones- this one and “Down Here“) they’ve got some other performances on YouTube worth checking out including “Before the Devil Knows We’re Dead” (video below). What’s my favorite thing about this video? Well that would be the fiddle player who moves seamlessly from fiddling to harmonzing with the band. See if you can spot him!

Charley Crockett- “Jamestown Ferry.” It’s appropriate that this video also come on down my spiral into this musical tunnel because Charley Crockett is opening for the Turnpike Troubadours at their show in Richmond, Virginia that I will be attending in June. This is another one of those song worms that crawls into your ear and into your brain, making itself a nice, cozy home, refusing to leave. I guess on this journey I’ve traded caterpillars for ear worms!

Shakey Graves feat. Esmé  Patterson- “Dearly Departed.” Yesterday, while still reeling from my fall, I found this number from Shakey Graves (featuring Esmé Patterson). While I wasn’t familiar with absolutely anything from this guy, this song has got me curious. From what I see, he’s an incredible musician, which is evidenced perfectly in this video for “Roll the Bones” where he sings, plays the guitar, AND plays the kick drum all at the same time. Shakey Graves is also a cool name and sounds like someone you might find if you ever fell down into a dark hole.

Currently listening to: whatever else I find while falling down the hole that is YouTube music videos. Admittedly, I never read Alice’s Adventures in Wonderland so I’m not sure how she ever got out of her hole. Not that it matters- I don’t plan on crawling out of this hole for quite some time! I should also mention Jefferson Airplane’s “White Rabbit” because it fits all too well with the theme of this post that it would almost be a crime not to mention it.

The Tracks I’ve Been Playing So Far in 2018 (First Quarter)

2018 Beginnings 

Discovering new music can sometimes be hard, especially when you find yourself wanting to listen to the same records over and over again (*cough* Jason Isbell *cough* Sturgill Simpson *cough*). Despite keeping Jason and Sturgill on a heavy rotation, I’ve still been able to find some great music, both old and new stuff, over these last few months.

The Tracks I’m Playing (January-March)

The first song on this list goes to the very deserving Shane Smith and the Saints, all the way from Austin, Texas and their song “All I See Is You.” Last week (3/15) I had the pleasure of seeing Shane Smith & the Saints in concert at Gypsy Sally’s in DC. This song, which is probably their most popular song, is what first turned me onto these guys. They were great in concert- all of the guys (The Saints?) harmonized together perfectly. The fiddle player also wore overalls with no shirt on underneath, which I found to be a very stylish move. And it was my first time at Gypsy Sally’s so I got to cross another DC concert venue off of my bucket list this year. You can catch the acoustic version of this song below. The emotions that Shane Smith pours into this song come through in this video, just like they did at his show.

Flatland Calvary- “Stompin’ Grounds.” It only seems appropriate that Flatland Calvary should be mentioned next as they were the opening act for Shane Smith & the Saints. They’re a great Texas-based band with a heavy dose of fiddle and boot-stompin’ tunes, if you’re into that kinda thing (who isn’t?). This particular song starts off with the line, “tired of breathing in all this office air” and after a Thursday at the office, I was happy to get out and see Flatland Calvary do their thing.

Randy Newman- “Putin.” If there’s not a musical already in the works based on this song, there should be. I mean, I guess we do have the real Vladimir Putin, but a musical with the Putin Girls and a fictionalized Putin would be fun distraction from reality. And you gotta love Randy Newman, from everything he did for Toy Story (“You’ve Got a Friend In Me“) and his denunciation against short people, this guy is an American treasure. And he does it again in this song, invoking the Greeks, the Turks, and the Kurds in a great play on words about Kurds getting the way, which turns into “curds and whey” (Little Miss Muffet reference for ya there!) He also says that “sometimes a people is greater than their leader” giving Germany, Kentucky, and France as examples (wait, is that a Mitch McConnell reference? Please explain!) This song goes to show you that Randy Newman can make any topic fun, including Vladimir Putin.

The Band of Heathens- “Hurricane.” I had already planned on including this song (honestly!) even before Shane Smith & the Saints decided to cover it at their show. I instantly liked this song the first time I heard it. And while I’ve never been to New Orleans, though hopefully one day that’ll change, I can only imagine that this song fully embodies the spirit of a city that can’t be washed away with a hurricane. Also, as a fellow heathen myself, I greatly appreciate this band’s name!

“I was born in the rain on the Pontchartrain
Underneath the Louisiana moon
I don’t mind the strain of a hurricane
They come around every June

High black water, a devil’s daughter
She’s hard, she’s cold and she’s mean
But nobody taught her it takes a lot of water
To wash away New Orleans”

The Wild Feathers- “Lonely Is A Lifetime.” Just put this song on, shut up, and listen.

Amanda Shires- “When You Need a Train It Never Comes.” I’ll be honest and say that I’m still not 100% sure what this song is about. But does that stop me from liking it? Nope. Maybe the true meaning will come to me on the 100th listen, which I’m fast approaching. I’ve got some other songs from Amanda on the playlist for this quarter in case the train that is this song still isn’t coming- “My Love (The Storm)” and “Wasted and Rollin’.” I’ll also take this opportunity to talk about her cover of Madonna’s “Borderline” with Tommy Emmanuel, which if you haven’t seen it yet, you should. And you have no excuse because here is the link and all you have to do is click on it.

Chris Stapleton- “Midnight Train to Memphis.” Am I only including this song here so I have an excuse to talk about Sturgill Simpson joining Chris on stage for this SNL performance of this song earlier this year? I’ll leave that for you to decide. BUT SERIOUSLY, CAN WE TALK ABOUT THAT PERFORMANCE?? I mean, Sturgill and Chris- I must’ve died and gone to Kentucky heaven! Oh! And producer Dave Cobb is also up there playing with them- say what?! I just have three words- A, Ma, Zing! The version of this song off his album From A Room: Volume 2 (sans Sturgill) is great as well so also be sure to check that out.

Drive-By Truckers- “Goddamn Lonely Love.” When I refer to this song, I’m mostly referring to the Jason Isbell and the 400 Unit live version of it on his Live from Alabama album, though the song was originally from Jason’s time with the Drive-By Truckers. As if the man needed any more, here’s another testament to Jason’s songwriting ability. In fact, I’m still finding more songs from Isbell that further drive this point home including songs like “We’ve Met” from his Here We Rest album with the 400 Unit. While it’s not a real disease or medical condition, “Goddamn Lonely Love” is something we’ve all suffered from and have been in search of a cure for. It’s comforting to know that not only has Jason felt the same, but if the cheers from the crowd in the live version of this song are any indication, then hundreds, maybe thousands, of others have also felt this way. If misery loves company, then this song should provide you with a good dose of companionship.

John Prine- “Some Humans Ain’t Human.” This song came to me from the “American Folk” movie, which is a feel good movie about two strangers connecting after 9/11 through folk music. Songs like this are the reason John Prine will forever be included in my holy trinity of songwriters (along with Leonard Cohen and Jason Isbell). John’s new album The Tree of Forgiveness will be released on my birthday (that’s April 13th for all y’all not up to speed on all things Brittany). And it’s a Friday the 13th- a lucky day for me and hopefully for John Prine too! You can watch his performance on NPR’s Tiny Desk Concert series here and hear him play a song off this album, “Summer’s End.”

“Have you ever noticed
When you’re feeling really good
There’s always a pigeon
That’ll come shit on your hood
Or you’re feeling your freedom
And the world’s off your back
Some cowboy from Texas
Starts his own war in Iraq”

Margo Price- “Most Likely You Go Your Way.” Margo Price covering Bob Dylan? Thank you, sir, may I have another? Recorded as a Spotify Single, along with a special version of “A Little Pain,” Margo covered this song from Dylan’s Blonde on Blonde album with her own unique style. I can’t seem to find a video for this online, so I guess you’ll just have to click on my Spotify playlist and check it out there (along with the other songs mentioned in this post.)

Lee Ann Womack- “The Lonely, The Lonesome, & The Gone.” This song is the title track from her latest album, which also features bangers like “All the Trouble.” Lots of people know Lee Ann, but many only associate her with that one big hit she had back in 2000. You know the one I’m talking about- “I Hope You Dance.” People making this connection isn’t a problem, it’s a lovely song. It was also the song that was played at my fifth grade graduation so it’s sentimental in a way for me. But that was almost 18 years ago and Lee Ann Womack has come a long way since then, musically speaking. If you’re thinking she was just a one hit wonder, you couldn’t be more wrong! She not only had hits back in the day with songs like “A Little Past Little Rock” and “I’ll Think Of A Reason Later” but she’s put out other albums since that embrace a more neotraditional sound, including her latest, which came out last year. I had the pleasure of seeing her perform Friday night (3/23) at The Birchmere in Alexandria, Virginia. She put on a great show and did not disappoint- playing two of my favorite songs- “Don’t Listen to the Wind” and “Does My Ring Burn Your Finger?” (the former written by Julie Miller and the latter written by Julie and her husband, Buddy Miller).

I also didn’t realize until Friday night after the concert that Lee Ann Womack’s daughter is Aubrie Sellers. It was then that I put two and two together and figured out that Aubrie Sellers is the oldest daughter featured in the music video for “I Hope You Dance.” MIND BLOWN! And since we’re on the topic of Aubrie Sellers, I’ll take this opportunity to talk about how great of an artist she is too. She calls her music “garage country,” which I think describes her sound perfectly. Some songs worth checking out are “Sit Here and Cry,” “Just to Be with You,” and “Liar, Liar,” which I highly recommend. The cute little girl from that music video has come a long way!

Ruby Boots- “It’s So Cruel.” If you’re listening to this song and thinking it’s from the 80’s, you’re wrong. Though you wouldn’t be crazy for thinking that as the song does have a sound reminiscent of the 1980’s. Her look also kinda reminds me of Tiffany. I’ll be seeing this lady in concert next month at Songbyrd Music House and Record Cafe in DC (crossing another venue off my bucket list again!)

The Ozark Mountain Daredevils- “If You Wanna Get to Heaven.” Apparently this song actually is from 1980! (Not like the song above). What the what?! It sounds like it could have come out within the past few years as part of the Americana/alt-country genre. Could’ve fooled me!

Some other great songs that I’ll just mention by name below without any wordy descriptions for the sake of space and not keeping you guys too long (are you even still reading this?) include:

John Moreland- “Sallisaw Blue.” 

JD McPhearson- “CRYING’S JUST A THING YOU DO.” (Why are we yelling?)

Lilly Hiatt- “Trinity Lane.” 

Father John Misty- “Things It Would Have Been Helpful to Know Before the Revolution.” 

Kacey Musgraves- “High Horse,” “Space Cowboy,” andButterflies.” AKA the three songs she’s released from her new Golden Hour album that will officially be out on Friday (3/30). I. CAN’T. WAIT.

Like I mentioned above, be sure to check out my Spotify playlist to listen to all of these songs, along with some others not mentioned in this post. If you’ve got any music suggestions for me, don’t be shy, send ’em on my way! I’ll be on the hunt for some more good tunes this next quarter.

Currently listening to: Particle Kid- “Gunshow Loophole Blues.” This song only seems appropriate with all of the Marches for Our Lives that took place this weekend. Shout out to all the amazing people who took it to the streets yesterday, especially the students of this country- y’all are an inspiration! As always, the signs at this march were on point, including this one quoting the late, great David Bowie.

Some ch-ch-ch-ch-changes are gonna come! From March for Our Lives Washington, DC (March 24, 2018)

Celebrating Sobriety and Song: A Concert Review of Jason Isbell and the 400 Unit

Better Late Than Never

How long do you have after a concert to write a decent concert review? Hopefully it’s about one month because that’s how long it’s been since I saw Jason Isbell and the 400 Unit. The concert took place on February 6th at the Modell Performing Arts Center at The Lyric in Baltimore. Despite the amount of time that’s passed since then, I think I can still write a post that will do the performance justice.

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Jason Isbell and the 400 Unit (Photo courtesy of nodepression.com)

In my holy trinity of songwriters, Jason Isbell sits beside Leonard Cohen and John Prine. As a songwriter, few people are able to tap into such a wide range of emotions like Jason Isbell. With songs like “Last of My Kind” and “Cover Me Up,” Jason knows how to articulate the feelings of loneliness, love, and vulnerability perfectly.  I’m not the only person who feels this way- his latest album, The Nashville Sound, was featured on numerous “best albums of 2017” lists (both official and unofficial lists).  Oh! And this album won the Grammy for Best Americana Album just a couple of weeks before the concert. He performed just about every song from this album that night-  “Cumberland Gap,” “Hope the High Road,” “Last of My Kind” (I’m not crying, there’s something in my eye), “Chaos and Clothes,” “White Man’s World,” (the politically charged song we need now more than ever) “Molotov,” “Tupelo,” and a song that I relate to all too well, “Anxiety.” During the encore, he sang a Drive-By Truckers song and “If We Were Vampires,” for which he had also just won the Grammy for Best American Roots Song. The only song from The Nashville Sound that he didn’t sing that night was “Something to Love.” As someone who absolutely loved The Nashville Sound, it was great getting to watch the band perform these songs live.

In addition to his songs with the 400 Unit, Jason also played some songs from his solo albums Southeastern and Something More Than Free. Songs like “24 Frames,” “Stockholm,” and “Something More Than Free.”

A Song of Love and Sobriety 

While his wife, Amanda Shires, who is the fiddler for the 400 Unit, isn’t always at the shows with the rest of the band (she has her own solo career- check her out!), I had the good fortune of seeing her perform that night. One of the highlights of that show was watching Jason sing the love song that he wrote for her, “Cover Me Up,” to her. The rest of the band left the stage for the occasion leaving Jason and Amanda on stage for an intimate performance. I realize how lucky all of us at the show in Baltimore were that night to have Amanda there and to be able to witness this expression of love.

Before the show, my friend that went with me brought up the fact that Tuesday was Jason’s six year anniversary of being sober. Amanda also pointed this out before he sang “Cover Me Up.” I needn’t tell you how moving it was to hear Jason sing the line “but I sobered up and I swore off that stuff, forever this time during “Cover Me Up” that night. After that line, the whole place applauded in support of Jason’s accomplishment. Thank you Jason for letting all of us at the Modell Lyric join you in celebrating six years of sobriety!

“A heart on the run keeps a hand on the gun
You can’t trust anyone
I was so sure what I needed was more
Tried to shoot out the sun
Days when we raged, we flew off the page
Such damage was done
But I made it through, ’cause somebody knew
I was meant for someone”

Not to criticize Jason, because I would never, but I was upset that he didn’t sing “Elephant“- I was prepared for a good, cathartic cry. I had checked out the set lists of his shows beforehand and saw that he had been including “Elephant” some nights so I thought maybe I’d get to see him perform it. Oh well! From my research, I knew that he wasn’t performing my favorite song of his, “Traveling Alone,” on this tour. That was probably for the best as I most likely would have been inconsolable if he had and nobody, I mean NOBODY, wants to see that!

Concerts on Concerts on Concerts

Since we’re on the topic, I’ll take the time now to talk about some upcoming shows that I’m going to (*) or are interested in seeing:

*3/15– Shane Smith and the Saints (song to check out: “All I See Is You“)
3/16– Nefesh Mountain- a Jewish bluegrass group (yep, you read that right)
*3/23– Lee Ann Womack (song to check out: “All The Trouble“)
*4/7– Colter Wall (that voice though)
*5/23– Margo Price at the Ryman Auditorium-I impulsively bought tickets to see Margo at the Mother Church of Country Music (with Colter Wall opening) and am still debating actually going (it would also be two days before the opening of the new Outlaws & Armadillos exhibit at the Country Music Hall of Fame and Museum so I’m thinking about making a couple days out of it and sticking around to see the exhibit. And I can always use an excuse to go to Nashville!)
6/1– Margo Price and John Prine
10/13– Chris Stapleton, Marty Stuart, and Brent Cobb

If you’re gonna be at any of these shows or are interested in attending any of these, holler!

The Life I’m Choosing 

Are you living the life you chose? Are you living the life that chose you?” asked Jason Isbell as his concert that night. If my life consists of seeing incredible musicians in concert like Jason Isbell and the others mentioned above, then yes, I am living the life I chose, and it’s a great one!

Currently listening to: Bobby Bare- “Streets of Baltimore.” Because it’s the greatest song about Baltimore I know!

Burnin’ My Barn in Tyler Childers’ Honky Tonk Flame

Hello everyone- long time, no see! While I should take this time to apologize for my two month hiatus, I won’t simply because of the fact that I was spending that time well and doing things that make me happy. Since my last post, I’ve been lucky enough to see two of my favorite new artists in concert- Jason Isbell and the 400 Unit and Tyler Childers. After this past Thursday night’s Tyler Childers concert, I thought the blog could use another concert review. I actually started writing this yesterday with a pen and a notebook (old school, right?) since my power was out because of the crazy wind we’ve been having. I’ll try my best to make out my chicken scratch writing for the post below.

Tyler Childers at the Rock and Roll Hotel (March 1, 2018)

Before Thursday (3/1) night’s concert , I said that “Tyler Childers could sing the phone book and I’d pay to listen.” I realize how outdated a saying like that is nowadays because who still uses a phone book? Seriously, we had one delivered to our house not too long ago and I stared at it like “what the hell am I supposed to do with this?” I reckon it might have made a good doorstop. Perhaps I should update the saying to be more 2018 appropriate- “Tyler Childers could sing the names of my Instagram followers and I’d pay to listen.” Does that work? If you have any better suggestions, send ’em my way.

No matter what I would listen to Tyler Childers sing, this post is about what he did in fact sing. The concert Thursday night was at the Rock and Roll Hotel in DC and it was my first time there. The show was sold out and needless to say the place was packed! I also waited too long to get my ticket and wound up paying about five times the original ticket price. But was it worth it? Yep!

Tyler sang some of my favorite songs from his latest album Purgatory, which Sturgill Simpson helped produce along with David Ferguson. Songs like “Feathered Indians,” “Honky Tonk Flame,” “Universal Sound,” “White House Road,” “I Swear (to God),” and the song he introduced by calling it a redneck interpretation of reincarnation (or something like that), “Born Again.” He also sang the love song for his wife off of that album, “Lady May.” After the song finished I heard the guy next to me tell the lady that he was with that she was his “Lady May.” I don’t think there’s anything sweeter a man could ever say to a woman. Who says rednecks aren’t romantic?

Tyler also sang a couple of songs that I was newly familiar with like “Charleston Girl.” I had only discovered the song the morning before the concert and instantly took a liking to it. There were a bunch of songs I had never heard before and I reckon many of these came from his time with his old band, The Food Stamps. This was the case at least for two of the songs I remember liking and later looked up-  “Messed Up Kid” and “I Got Stoned and I Missed It.” While the guy in front of me was giving everyone in the room a contact high, I’m glad I wasn’t stoned and missed this concert.

Kelsey Waldon, another Kentuckian, opened for him and it was my first time seeing her in concert as well. I had listened to her just a little bit before Thursday night but hearing her perform live was a much better way to get introduced to her and her music. Not only does she have a beautiful voice but she’s super sweet in person. I made a new friend at the concert on Thursday (one I had known from Twitter and finally met IRL) and we hung around after the show and talked with Kelsey. He’s known Kelsey for a while- they’re from the same part of Kentucky and he’s somewhat related to her. The three of us had a nice chat that included talking about Margo Price and Buffalo Clover.

All around, Thursday night was a great time and I’m so glad that I made the last minute decision to go. You can bet that next time either of these two comes through the DMV that I’ll be there. I’ll also make sure to buy my ticket early next time so that I don’t wind up paying an arm and a leg to see them!

I’ll conclude this post with one final thought- KENTUCKY! This state just keeps on cranking them out- Chris Stapleton, Angaleena Presley, Sturgill Simpson, Tyler Childers, Kelsey Waldon plus the classics like Keith Whitley, the Judds (so many redheads!), and Loretta Lynn. The latest Oxford American magazine was even dedicated to Kentucky and featured some fantastic articles, especially the one on Sturgill Simpson by Leesa Cross-Smith titled, “Ain’t Half Bad,” which is a reference to Sturgill’s song “You Can Have the Crown.” I found myself agreeing so strongly with a lot of her article and it felt good to know that someone shared my opinions on Sturgill.

To celebrate, I created a Spotify playlist, “Kentucky Got Lucky.” This playlist features all of the great Kentuckians listed above along with songs that just remind me of Kentucky. Also, it has NAPPY ROOTS! (Throwback to my youth!) I only wish Sunday Valley (Sturgill’s old band) and the Food Stamps (Tyler’s old band) were available to stream so that I could add them to this playlist. You can find that playlist here.

Currently listening to: All of the wonderful sounds of Kentucky!